《小雅》中的六篇＂笙诗＂,以诗乐关系而言,有声无辞的说法难以成立。因《诗序》乃是众多诗篇旨义的合编,当时著作单篇别行,并传至毛公,诗义得以保存,汉代初年诗辞已经亡逸。%As for as the relationship between poem and music,the idea with music but no words in ＂Sheng Shi＂ about the six poems in ＂Xiaoya＂ was hardly tenable.The reason is that the meaning of ＂Sheng Shi＂ had been preserved till Maogong,but the poems in early Han Dynasty had been gone,for Shijing was the compilation of the meaning of many poems which were existing lonely in other compiling.
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