浅析书法创作中的“碑”、“帖”结合

摘要

China’s calligraphy has gone from Tie to Bei in the its development .For many years the calligraphy represonted by Wang Xi-zhi and Wang Xian-zhi prevailed in the China’s calligraphy circle until Ruan Yuan ,Bao Shi-chen ,Kang You-wei and oth-ers .advocated Epigraphy in Qing Dynasty and opened up a new way for the development of calligraphy .However ,calligraphy devel-opment did not remain stagnant because Shen Zeng-zhi put forward the combination of rubbings then ,which pointed out the direc-tion of contemporary calligraphy creation .%中国书法在发展历史过程中经历了从帖学到碑学，多少年来以“二王”为代表的帖学一直笼罩着中国书坛，直至清代阮元、包世臣、康有为等提倡碑学，为书法的发展开辟了新的道路。但是，书法发展的脚步并没有因此而停滞不前。随后，沈曾植在书法创作中提倡了碑帖结合，这为当代书法创作指明了方向。