Paintings are composed of the subject ,object and ontology .The stronger the independence of on‐tology ,the painting is more mature .Painting ontology show s the dialectical dual relationship among the contexts ,the relation between virtuality and reality ,and the relation between black and white in a variety of images formed by the materials and tools of the painting .The command and application of dual relation‐ship manifest the advanced stage of painting — ascension of rational thinking ,w hich is one of important symbols of mature painting .The process of painting is embodied in the dual relationship between manufac‐turing contradictions and solving the contradictions .Painting is to learn to manufacture and solve this con‐tradiction ,such as the lines and strokes in the paintings reflect the strong‐weak ,square‐round ,virtual‐real relationship ,including the middle and side tip of the writing brush ,and dry‐wet degree of ink application . Painting can be realized incisively and vividly only by focusing on the art of metaphysical view from the previous physical view ,through understanding and master of the law of painting ,and taking philosophical speculations as the leading capacity .T herefore ,study and understanding of dual relationship of the paint‐ing is of great practical significance to the enhancement of painting ability .%绘画创作是通过主体、客体、本体构成。本体独立性越强绘画也就越成熟。绘画的本体通过绘画的材料和工具形成的各种形象表现出前后关系、虚实关系以及黑白关系，彼此间体现出辩证的对偶关系。对偶关系的把握及运用体现了绘画的高级阶段———理性思维的提升，它是绘画成熟的重要标志之一。绘画的过程体现在制造矛盾和解决矛盾这一对偶关系中。绘画就是要学会制造和解决这对矛盾关系，诸如绘画作品中线条和笔触体现出强—弱、方—圆、虚—实，包括用笔的中锋与侧锋、用墨中的干—湿。绘画只有从“形而下”的技术再现上升到“形而上”关注艺术的核心问题，通过对绘画规律的了解和掌握，并以哲学思辨做主导能力才可以得到淋漓尽致的发挥。因此，绘画对偶规律的研究和理解对绘画能力的提高具有重要的现实意义。
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