新伤叠旧痛——论小说《橙红银白》进城的乡下人

摘要

新世纪以来,在以乡下人进城为题材的小说创作中存在一种先进城、后返乡的叙事模式,该模式可以用这样的方式表现:乡下人以进城谋生为开始,以出事返乡为终点.旧海棠的新作《橙红银白》接续了这一模式,但其新颖之处在于道出了80、90年代出生的乡下人的进城经验,他们的新伤和父辈的旧痛一同构成了在城乡下人的沉重代价.小说关注社会现实,表现出了旧海棠关注生命的价值立场.但同时,这部小说在叙事层面上也存在薄弱之处,叙事人的主观情绪频繁介入叙事,不仅削弱了小说的真实性,同时也阻碍了对乡下人进城问题的深入探讨.%Since the new century,there is a narrative mode about the theme of country folk who lived in the city.Living experiences of generation born in the 1980s and 1990s is presented in the novel ChenghongYinbai.The novel presents us a realistic scenario in China.But at the same time,it also has some weaknesses in the narrative perspective.The writer's own emotion frequently intervenes the narration,it not only weakened the authenticity of the novel,but also hindered the in-depth study of the problem of migrant workers living in the cities.