运用形式美学的相关原理,解读意大利文艺复兴早期画家乌切罗所作的《圣罗马诺之战》组画,讨论作品的客观形式（情景记录）与主观形式（场面重构）的成因,重新阐释叙事结构的意义,并分析作品中隐藏的＂潜在的规则＂。%The article uses some theories about modality aesthetics, analyses the Drawing named Battle of san Ro-mano drown by the artist called Uccello during the period of early Revival of Learning in Italy. It talks about the form reasons about the impersonality modality and personality modality of the production, expatiates the meanings ofdepiction structure again, at the same time, it finds out the latency rules concealed in the production.
展开▼
