民族音乐理论与西方音乐理论的融合运用--李世相《蒙古族长调民歌概论》专著评介

摘要

《蒙古族长调民歌概论》(以下简称《概论》）2004年5月由内蒙古人民出版社发行出版。这部凝聚着著者李世相先生多年心血的著作，留下了他对蒙古族音乐、尤其是对蒙古族长调民歌的历史沿革、不同层面、不同视角深入研究的心迹。笔者深知他是一位善于思考、勤于音乐创作、热爱民族音乐又有研究能力的人，他集作曲家、教授、音乐理论家于一身。但你能在他的著作、作品、论文中找到一个共同特点：即，都是围绕“蒙古族音乐”而做。阅读李世相先生这部《概论》专著之后，感受与收获颇多，就此谈一下个人读后感及些许民族音乐理论方面的认识。%“Introduction to Mongolian Long-tune Folk Songs” (hereinafter referred to as the “Introduction”) issued in May, 2004 by Inner Mongolia People's Publishing House. This embodies the author Li Shi-xiang’s years of hard work, and shows his in-depth study on Mongolian music, especially the history of the Mongolian long-tune folk songs of different levels, different perspectives. He is thoughtful and diligent of music creation. He loves folk music, has research capacity, and sets composer, professor, music theorist in one. But you can find a common feature in his writings, works, thesis: that is all around the "Mongolian music". After reading Li Shixiang’s “Introduction”, I feel and learn a lot, to talk about my impression of this book and a little understanding of national music theory.