东汉中期的张衡，在诗赋的形式体制和艺术表现上进行了全新的探索和实验，从而给这两种文体的发展提供了一个重要契机。诗歌方面，其《四愁诗》等作，利用并改造楚骚句式，创作了我国古代最早的七言诗体，而屈原以“香草美人”隐喻政治关系的表现手法，经由张衡的运用与发挥，形成一种重要的诗歌表达模式；辞赋方面，其赋作在句式、结构布局上的创变，以及在题材、小品化、语言风格、结构立意上的新探索，一改传统赋风，深深影响着汉末魏晋的辞赋创作；“七”体方面，其《七辩》与傅毅《七激》改传统“问疾”主旨为“招隐”，在主题、风格和形式上都对此后的“七”体产生了巨大影响。%Zhang Heng,who lived in the middle of the Eastern Han Dynasty,made unprecedented ex-perimentation and exploration in the form and artistic expression of Shi (lyric poetry)and Fu (rhapsody), hence furthering the development of these two literary forms.As for Shi,Zhang Heng adapted the sen-tence pattern of the poem “Li Sao”into some of his poems such as “Four Sorrows Poem”,which pioneered the earliest seven-syllable verse in ancient China.Meanwhile,Qu Yuan's “vanilla and beauty”metaphor, which alluded to politics,was well developed by Zhang Heng,and gradually evolved to an important mode of poetic expression.As far as Fu is concerned,it was innovative in layout as well as in content,length, language style,structure,and artistic conception,which thoroughly changed the traditional style of Fu and deeply influenced the composition of Shi and Fu in the later Han,Wei,and Jin Dynasties.When it comes to the form of “Sevens”,his “Seven Changes”and Fu Yi's “Seven Stimuli”turned the traditional theme of “concerning with people”into “summoning hermits to be officials”,which had a great impact on the later “Sevens”in theme,style,and form.
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