从20世纪80年代中期到90年代初期，莫言的创作是民间立场下的知识分子写作，彰显的是知识分子的独特创作个性。从《丰乳肥臀》开始，他才步入真正意义上的民间写作，民间内化为莫言小说创作的血液，方法论意义上的历史暴力想象还原为本体论意义上的历史存在现实，与苦难一起成为民间生活的本质存在，悲悯甚至忏悔的人文意识超越了人性层面的关注。莫言小说之暴力叙事，是必然向自由的转换。%From the mid-1980s to the early 1990s, Mo Yan’s literary creation has been that of intellectuals in the folk stance, which embodies intellectuals’ unique creative personality. Starting from Large Breasts and Wide Buttocks,Mo Yan has been engaged in the folk writing in its real sense;while the folk has internalized as essential element of his novel creation, because with the restoration of the historical reality in the ontological sense from the history of violent imagery in the methodological sense, the historical reality, along with sufferings, has become the essence of folk life, and the human awareness of compassion or repentance has transcended the concern of humani-ty. The narration of violence in Mo Yan’ s novels is the transition from necessity to freedom.
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