文本的转换密码：形式与感觉--小说《香水》的电影旅程

摘要

小说的电影经验无以尽数，小说杰作中富于张力的人物和戏剧性情节，是电影的天然材质。尽管小说《香水》的人物与情节精彩不凡，不过，因其灵魂是香，是一种看不见摸不着的嗅觉对象，是飘渺于空中的微细介体，电影如何呈现，是包括不少著名导演在内的艺术家都认为不可拍摄之为。导演汤姆·提克威跨越怀疑与禁忌，与摄影师和作曲家一道，将香氛以感觉转换的形式，诉诸我们的视觉和想象，最终完成了一部优秀小说的电影旅程。%There are so many experiences of transformation from novels into movies , for literary masterpieces have the ten-sion figures and the dramatic plots which are nature materials for films .Although there are great figures and plots in Perfume, yet the spirit is perfume which can ’ t be seen or touched as a fine mediator of floating in the air .Thus this novel can not be accepted for fil-ming to some extent .But the director Tom Tykwer cut across the suspicion and taboo with photographer and composer , and con-versed fragrance into the image of our vision and imagination to complete a film journey of the fiction .