首页> 中文期刊> 《重庆三峡学院学报》 >小说到影视剧中男性侠客形象变迁论--以“射雕”三部曲为例

小说到影视剧中男性侠客形象变迁论--以“射雕”三部曲为例

         

摘要

In the film and television plays, characters are an important part of the plot of conflict, and in the adaptation of novels into films and TV programs, evolution of image shaping characterizes the most attentive part. In the traditional martial art drama of movie and TV drama, the lack of image shaping brings about the separation of acting and singing performance on one hand and martial art performance on the other. AS the Legend of Condor Trilogy by Jin Yong has been adapted into TV dramas, this paper presents a contrastive analysis of the image shaping of the three related male Knights, unfolds the changes of the male knights from novels to TV dramas. The motivations that bring about the differences of image shaping are uncovered, which are concerned not only with artistic forms, but also with market economic factors.%在影视剧中,人物是构成情节冲突的重要组成部分,将小说改编为影视剧,人物形象塑造的衍变也成为最受关注的一个部分,中国传统武侠影视剧因为对人物形象塑造的缺失造成文戏与武戏之分。金庸作品的“射雕”三部曲都改编为电视剧,分析对比其中三位男性侠客形象的塑造,展现由小说到影视剧中男性侠客形象的变化,揭示人物塑造差异形成的原因,不仅因为艺术形式的转变,还包含了市场经济性因素。

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