黜顾与崇顾：顾恺之画史地位的论辩之争

摘要

The status of Gu Kaizhi has changed for many times in the Chinese painting history, firstly Chugu, and then Chonggu. The root of the debate between Chugu and Chonggu is Gu Kaizhi’s life experience. The living environment of the artists, the time distance between critics and Gu Kaizhi, and the change of art trend leave more space for critics to set the historic sta-tus of Gu Kaizhi.%顾恺之在中国美术史上的历史地位几经变迁，先是黜顾，后来又崇顾。顾恺之的善变生涯是黜顾与崇顾论辩之争的主体根源。批评家与顾恺之的生活时距是黜顾与崇顾论辩之争的时代根源。艺术家的生活境遇、批评家与顾恺之之间的时代差距、艺术潮流变迁和文论发展阶段都会给批评家提供更多审美移情的空间，给批评家正确评价艺术家的历史地位增加难度。