在大众文化背景下，丑的表现形态多种多样，丑迎合了大众“审美疲劳”的神经，由边缘逐渐走向中心。美学研究当然不能排斥丑，从传统的审美模式到当下审丑的泛滥，离不开大众文化提供的种种条件，商业利益的驱动、全球信息一体化的实现以及更包容的道德态度，都催生着丑，传播着丑。丑以一种碎片化、平面化、欲望化、狂欢化的姿态呈现在大众面前，这在一定程度上丰富了大众的审美视野，促使审美领域从一元向多元迈进。唯有理性的看待丑，才能树立正确的审丑观。%In the background of mass culture ,the ugliness has various forms ,it is gradually mov‐ing to the center from the edge .The research of aesthetic can not exclude ugliness ,from traditional aesthetic models to the present the flooding ugliness ,it is inseparable from the mass culture with a variety of conditions‐commercial interests of the drive ,the realization of the global integration of in‐formation and more inclusive of the moral attitude ,all these gave the ugly things a new life ,and dis‐seminated the ugly .The ugly appear in front of the public in various forms of pieces ,planar ,desire , and Carnival ,in a certain extent enrich the populace's esthetic field of vision ,make aesthetic field from one to multiple forward .Only in the way of rational view to ugly ,will we have a correct ugli‐ness view .
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