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A heuristic inquiry into the experience of the self-guided writing process of 12 women with a history of mother-daughter conflict.

机译:对具有母女冲突历史的12位女性进行自我指导写作过程的经验进行启发式探究。

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This study explored the experience of women with a history of mother-daughter conflict, whose self-guided writing process (SGWP) of journal, letter, and poetry writing played a significant part in their lives. The study viewed the personal self (not the ego) in relationship to the transpersonal self, a transcendent self-sense synonymous with Jung's Self. The term, archetypal, referred to the deep psychic structures that consistently generate universal mythological images. Twenty-four interviews conducted with 12 coresearchers (22-53 years old, 83% Caucasian, 8% Filipina, 8% bi-ethnic) provided the data for answering 2 questions: (a) How do women with a history of mother-daughter conflict use the SGWP? and (b) What is the relationship between a woman's SGWP and her particular experience of mother-daughter conflict? Thematic content analysis grounded in the heuristic phases of initial engagement, immersion, incubation, explication, and creative synthesis facilitated the presentation of narratives, including individual depictions, exemplar portraits, and a composite depiction. The creative synthesis of spontaneously created sand trays symbolized the primary researcher's transformed experience of mother-daughter conflict. The study suggested that the dual-sided nature of archetypal themes in myths (Demeter-Persephone, Twin Scapegoats) and fairytales (Sleeping Beauty, Frau Holle) may provide insight into the nature of mother-daughter conflict. The study used object relations theory to explore the effects of inadequate maternal mirroring upon the daughter's ability to express her own needs. The study's findings showed that coresearchers used the SGWP to express emotions and increase self-understanding. Even when interpersonal resolution of mother-daughter conflict was impossible, coresearchers who used a SGWP showed great resiliency in coping with personal and environmental conflict. The study suggested that the SGWP may support communication between the personal self and transpersonal self. The unexpected degree to which mother-daughter conflict was embedded in the larger context of family and cultural systems suggested the need for further study.
机译:这项研究探讨了有母女冲突历史的妇女的经历,她们的日记,信件和诗歌写作的自我指导写作过程(SGWP)在她们的生活中发挥了重要作用。该研究认为个人自我(而非自我)与超个人自我有关,超个人自我是荣格自我的同义词。原型这个词指的是不断产生普遍神话图像的深层心理结构。与12名核心搜索者(22-53岁,83%的白种人,8%的菲律宾人,8%的双种族)进行的二十四次访谈提供了回答以下两个问题的数据:(a)有母女史的女性如何?冲突使用SGWP? (b)妇女的SGWP与她的母女冲突经历之间是什么关系?主题内容分析建立在最初的参与,沉浸,孵化,阐释和创造性综合的启发式阶段基础上,促进了叙事的呈现,包括个人描绘,典范肖像和复合描绘。自发创建的沙盘的创造性合成标志着主要研究人员对母女冲突的转变体验。该研究表明,神话中的原型主题(迪特尔-珀耳塞弗涅,双胞胎替罪羊)和童话故事(“睡美人”,弗劳·霍勒)具有双面性质,可能有助于洞悉母女冲突的性质。这项研究使用对象关系理论来探讨母亲镜像不足对女儿表达自己需求的能力的影响。研究结果表明,核心研究者使用SGWP来表达情绪并增强自我理解。即使无法通过人际解决母女冲突,使用SGWP的核心研究人员在应对人身和环境冲突方面也显示出极大的适应能力。研究表明,SGWP可能支持个人自我和超个人自我之间的交流。在更大范围的家庭和文化体系中,母女冲突的嵌入程度出乎意料,这表明需要进一步研究。

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