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Where did all the women go: The archaeology of the soldier empresses.

机译:所有的女人都去了哪里:士兵的考古学留下了深刻的印象。

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摘要

In the long history of the Roman Empire, there is no other period for which we know so many names but have so little evidence than the third century A.D. The leaders are collectively called the soldier emperors in reference to the majority's origin in and promotion by the Roman army. Absent for this period are the colorful (and colored) historical views available for other periods. The emperors and their wives, however, lasted long enough to mint coins, make dedications, and have official portraits created. Even less well understood are the soldier empresses, the wives of the soldier emperors. While sculpture experts have evaluated surviving images for their intrinsic value, the social and political implications of such images have not been explored. In this project I reevaluate existing literary, historical and visual evidence to recover the identity of these women. In this liminal period, imperial women, often considered mere figureheads in a rapidly revolving power struggle, wielded considerable power and influence in the political realm.;Each type of evidence has its strength for revealing the role of the empresses; combined, the evidence speaks louder than the individual pieces. Epigraphic remains not only express official titulature, but they can be more confidently connected to a specific time and place than contemporary sculptural remains. Numismatic evidence combines image and title in an official medium. Official imperial portraiture consisted of both the image of the individual together with an inscription used both to identify the depicted person as well as to honor the dedicator. The combination of sculptural, epigraphic and numismatic evidence provides a more complete picture of the social implications of contemporary imagery.;I propose that the wives of the soldier emperors wielded more influence than historians have traditionally suspected. The extant evidence reveals that the emperors continued to manipulate the public persona of their wives in order to create a semblance of harmony within the imperial union, to advertise the longevity of dynasty, and to foster connections with the Roman army. The group of imperial women who ruled Rome during the so-called third century crisis still strove to create the image of perfection in both the civic and military worlds.
机译:在罗马帝国悠久的历史中,没有其他时期比我们公元三世纪更广为人知,而证据却很少。根据多数人的起源和晋升,领导人统称为士兵皇帝。罗马军队。这个时期没有其他时期可以使用的丰富多彩(和彩色)历史视图。然而,皇帝及其妻子历时足够长,可以铸造硬币,奉献精神并制作官方肖像。士兵皇后,即士兵皇后的妻子,甚至还没有被很好地理解。尽管雕塑专家已经评估了幸存图像的内在价值,但尚未探索此类图像的社会和政治含义。在这个项目中,我重新评估了现有的文学,历史和视觉证据,以恢复这些女性的身份。在这个边缘时期,帝国妇女通常被认为是迅速发展的权力斗争中的figure头,在政治领域中具有相当大的权力和影响力。每种证据都有力地揭示了皇后的作用;综合起来,证据比个别证据要响亮。墓志铭不仅表达官方的称谓,而且与当代雕塑遗迹相比,它们可以更可靠地与特定时间和地点联系。钱币证据在官方媒介中结合了图像和标题。官方的皇家肖像画既包括个人形象,也包括用于识别所描绘人物和尊敬奉献者的铭文。雕塑,人口学和钱币学的结合为当代图像的社会含义提供了更完整的描述。我认为,士兵皇帝的妻子所具有的影响力要比历史学家传统上所怀疑的要大。现有证据表明,皇帝继续操纵其妻子的公共角色,以在帝国联盟内部建立和谐的外表,宣扬王朝的长寿,并促进与罗马军队的联系。在所谓的第三世纪危机期间统治罗马的那批帝国妇女仍然努力在公民和军事世界中创造完美的形象。

著录项

  • 作者

    Ricciardi, Ryan Ann.;

  • 作者单位

    University of Cincinnati.;

  • 授予单位 University of Cincinnati.;
  • 学科 Art History.;History Ancient.
  • 学位 Ph.D.
  • 年度 2008
  • 页码 435 p.
  • 总页数 435
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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