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Seducing Europe, opening culture: Soft law, subsidiarity, and shame in the European Union.

机译:诱惑欧洲,开放文化:欧盟的软法律,附属性和耻辱感。

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摘要

My research brings together work in sociolegal studies with anthropological explorations of the political uses of "culture" to foster inclusion within the European Union (EU). Focusing on European bureaucrats charged with managing "culture," my dissertation research examines how actors involved in the production and interpretation of culture set this concept in motion within the legal and political structures of their work. A key question animating much of my work is: How do culture bureaucrats implement EU-wide cultural policies in an increasingly "globalised world" while respecting local control over culture?;In my dissertation research I worked with the policymakers and bureaucrats whose task was to create, disseminate and implement new definitions of culture, tolerance and policy itself. I thus take as my starting point two instances of culture administration in the EU. The first of these was the EU's Year of Intercultural Dialogue 2008 initiated by the European Commission in collaboration with non-governmental organizations to develop "soft" European cultural policy recommendations. The second instance is the Dutch state's audiovisual "culture test" designed to test the tolerance of immigrants seeking Dutch citizenship. My research considers the struggle in developing what EU bureaucrats often term "common European cultural objectives" and the implications this has in managing disparate immigration policies, defining the contours of belonging and exclusion, and coordinating the linkages between law, culture and democracy.;My dissertation is thus not only a discussion of the paradox of inclusion and exclusion within Europe, but is also an examination of the various uses of law and policy that manage this paradox, paying particular attention to how "soft law" and subsidiarity are embodied techniques that work in tandem to create "culture" as an object of surveillance, emotion, and experimentation. I argue that these relationships re-orientate the European policy process's engagement with history to maintain a "virtual Europe," create the conditions of possibility for desirable shaming practices which re-define law and punishment under modalities of competence, and produce experimental legal systems that attempt to infuse emotion within the policy process.
机译:我的研究将社会法律研究的工作与人类学探索“文化”的政治用途结合起来,以促进欧盟(EU)的包容性。我的论文集中于负责管理“文化”的欧洲官僚,研究了参与文化生产和解释的行为者如何在其工作的法律和政治结构中推动这一观念的发展。使我的工作充满生气的一个关键问题是:在尊重本地对文化的控制的同时,文化官僚如何在日益“全球化的世界”中实施欧盟范围内的文化政策?在我的论文研究中,我与决策者和官僚合作,他们的任务是创建,传播和实施文化,宽容和政策本身的新定义。因此,我以欧盟文化管理的两个实例为起点。首先是欧盟委员会与非政府组织合作发起的“欧盟跨文化对话年2008”,以制定“软”的欧洲文化政策建议。第二个例子是荷兰国家的视听“文化测试”,旨在测试寻求荷兰国籍的移民的容忍度。我的研究考虑了在发展欧盟官僚通常所说的“欧洲共同文化目标”方面的斗争,以及其在管理不同的移民政策,定义归属和排斥轮廓以及协调法律,文化与民主之间的联系方面的意义。因此,论文不仅讨论了欧洲内部的包容性和排斥性悖论,而且还探讨了管理这一悖论的法律和政策的各种用法,尤其关注“软法”和辅助性是如何体现的,协同工作以创建“文化”作为监视,情感和实验的对象。我认为,这些关系重新定位了欧洲政策进程与历史接触的方向,以维持“虚拟欧洲”,为可能的羞辱行为创造了条件,这些行为会在权限模式下重新定义法律和惩罚,并产生试验性的法律制度,试图在政策过程中注入情感。

著录项

  • 作者

    Katcherian, Jeff Edmund.;

  • 作者单位

    University of California, Irvine.;

  • 授予单位 University of California, Irvine.;
  • 学科 Anthropology Cultural.;Political Science International Law and Relations.;European Studies.
  • 学位 Ph.D.
  • 年度 2009
  • 页码 220 p.
  • 总页数 220
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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