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Class, authority, and the querelle des femmes: A women's community of resistance in early modern Europe.

机译:阶级,权威和女性庸俗:现代欧洲早期的一个妇女抵抗社区。

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摘要

This dissertation examines the poetry of Isabella Whitney, a maidservant in London, Veronica Franco, a Venetian courtesan, Marie de Romieu, a baker's daughter in rural France, and Aemilia Lanyer, the daughter and wife of Italian immigrant musicians in London, all of whom attempted to create communities of learned and literary women within their texts. In their works, all four women boldly reject the misogyny prevalent in early modern culture; however, they do so without being able to withdraw from the culture that contributed to such rhetoric, thereby writing from the periphery. In her essay, "Choosing the Margin as a Space of Radical Openness," bell hooks identifies this position on the edge as one of opportunity. She argues that the very presence of the Other "within the culture of domination" is in itself a threat. As such, existing on the margins of that culture is unsafe and requires a "community of resistance" to turn that space into "a site of radical possibility.";I argue that these four writers, marginalized by virtue of their sex as well as by their social positions, were united in a community of resistance through their participation in the querelle des femmes, a centuries-long debate about women's place in society. Each recognizes class, gender, and geographical hierarchies as social constructions and presents her own imagined resistant community of women within her work---each authorizing her own voice as they collectively rewrite women's history. As an international community of resistance, the works of these women may be seen as prefiguring contemporary debates about gender, community, and globalization. By examining the early modern querelle des femmes through the lens of postmodern feminism, this dissertation shows that, despite all of the historical models that position early modern European women as physically, politically, historically, and legally subordinate within their respective cultures, there existed a women's community of resistance that not only refused to accept this inferior status but also recognized education and cooperation as a source of power.
机译:本文研究了伦敦女仆伊莎贝拉·惠特尼,威尼斯妓女维罗妮卡·佛朗哥,法国乡村面包师的女儿玛丽·罗米欧和埃米莉亚·兰耶尔的诗歌,他们都是伦敦意大利女音乐家的女儿和妻子。试图在她们的经文中建立一个知识渊博的文学女性社区。在他们的作品中,所有四个女人都大胆地拒绝了早期现代文化中普遍存在的厌女症。但是,他们这样做并不能退出促成这种言论的文化,从而从外围写作。在她的文章“选择边缘作为激进的开放空间”中,钟形钩将边缘位置确定为机会之一。她认为,“在统治文化中”他人的存在本身就是一种威胁。因此,存在于这种文化边缘的人是不安全的,需要“抵抗社区”将其空间变成“极端可能性的场所”。我认为这四位作家由于其性别和性别而被边缘化了。通过她们的社会地位,她们通过参加妇女的奎尔雷舞而团结起来组成了一个抵抗社区,这是关于妇女在社会中地位的争论长达一个世纪之久。每个人都将阶级,性别和地理等级视为社会结构,并在她的作品中展现了自己想象中的反抗女性社区-每个人在集体重写女性历史时都表达了自己的声音。作为一个国际抵抗团体,这些妇女的作品可能被视为预示着有关性别,社区和全球化的当代辩论。通过从后现代女权主义的角度审视早期现代女权主义者,本论文表明,尽管所有历史模型都将早期现代欧洲妇女定位于各自文化中的身体,政治,历史和法律从属地位,妇女的抵抗社区不仅拒绝接受这种劣等地位,而且还承认教育和合作是力量的来源。

著录项

  • 作者

    Lawrence, Dana Eatman.;

  • 作者单位

    Texas A&M University.;

  • 授予单位 Texas A&M University.;
  • 学科 Literature Comparative.;Literature English.;Womens Studies.;Literature Romance.
  • 学位 Ph.D.
  • 年度 2009
  • 页码 308 p.
  • 总页数 308
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:38:19

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