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I grew up thinking hills were mountains.

机译:我从小就以丘陵为山。

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My paintings rely on discovery--- excavating into the surface to find the painting beneath. I work in an actual space that dimensionally inhabits the picture plane. The process begins with acrylic paint applied in thick layers, creating a sedimentation of color that is later unearthed. The painting emerges as I carve, gouge and dig away dry paint to reveal and investigate a world in paint alone.;The process allows for a journey through the depth of the paint, subtracting and adding to the supports until the painting is ultimately resolved. I see the layers of paint revealing their own history, some layers becoming more significant than others. Thousands of paint chips are made in the creation of each painting, which become remnants of the process. Embedding these discarded chips into my next painting allows for a sense of shared history.;Some of my process is predetermined, mapping out color layered substrates and other aspects of the painting arrive through an element of surprise, thought the process itself. I want the viewer to see the painting in multiple ways - in the way our memory allows us to experience the same place again in a slightly different way. The imagery comes from fragments of memories that I have collected throughout my life. Most of the memories are related to experiences that I have had in nature and with the people around me. I grew up spending my summers at my family's cottage on the Alleghany River in Oil City, Pennsylvania. Everyday I would stare at the hills with my cousins and play across the river on various large rocks. We began to create a language about our landscape that we spent so much time discovering, naming our special places, growing up thinking hills were mountains.;The series of landscapes come from my desire to be in a space of awe. When I was studying abroad I took a trip to Crete Greece. Arriving in the night made me feel anxious about a place unknown to me. My hotel was disappointing and far from the downtown, I suddenly wanted nothing to do with where I was. Frustrated by my predicament, I went to bed. In the morning I stepped outside to find that I was on the beach with mountains in the distance. I was in shock; I had never felt such relief in a reaction to a place.
机译:我的画依靠发现-挖掘表面来找到下面的画。我在尺寸上占据图片平面的实际空间中工作。该过程开始于将丙烯酸涂料涂在较厚的层上,产生颜色沉淀,随后将其发掘出来。当我雕刻,凿凿并挖出干漆以揭示和研究漆的世界时,漆就出现了;该过程允许遍历漆的深度,减去并增加支撑物,直到最终解决漆为止。我看到油漆层揭示了他们自己的历史,有些层变得比其他层更重要。每幅绘画的创作过程中都会制作成千上万的油漆碎片,这些碎片会成为整个过程的残余。将这些废弃的碎片嵌入到我的下一幅画中可以使人感觉到共享的历史感。我的一些过程是预先确定的,绘制出彩色分层的底物,绘画的其他方面通过过程本身想到了一个惊喜元素。我希望观众以多种方式看这幅画-通过我们的记忆,我们可以以稍微不同的方式再次体验相同的地方。这些图像来自我一生中收集的记忆碎片。大多数记忆与我在大自然中以及与周围人的经历有关。我的暑假是在宾夕法尼亚州石油城的Alleghany河上的家庭小屋里度过的。每天,我都会和我的表兄弟一起凝视着山丘,在各种大石头上过河。我们开始创建一种关于景观的语言,我们花了很多时间去发现它,命名我们的特殊地方,长大后以为山是山。在国外学习时,我去了克里特岛希腊。到了黑夜,我对一个陌生的地方感到不安。我的酒店令人失望,离市区很远,突然间我与自己所在的地方无关。由于困境,我上床睡觉了。早上,我走到外面去,发现我在沙滩上,远处是群山。我感到震惊;对于一个地方的反应,我从未感到过如此宽慰。

著录项

  • 作者

    Waskiewicz, Karin M.;

  • 作者单位

    The University of Iowa.;

  • 授予单位 The University of Iowa.;
  • 学科 Fine Arts.
  • 学位 M.F.A.
  • 年度 2014
  • 页码 31 p.
  • 总页数 31
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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