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'Living Publicly': House Shows, Alternative Venues, and the Value of Place and Space for American DIY Communities.

机译：“公开生活”：房屋展示，其他场所以及美国DIY社区的空间价值。

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In this dissertation, I present an anthropological study of house concerts and other do-it-yourself (DIY) venues that are organized by young people who define themselves as DIY participants. These venues host multiple genres, including punk, experimental, indie rock, singer-songwriter, and electronic music. DIY participants are commited to building alternative communities circumventing traditional, commercial, and institutional channels for achieving their social and cultural goals. They organize house concerts both to fill the void of suitable non-commercial venues for alternative music-making, and because they enjoy the resulting freedom from the kinds of restrictions usually encountered at commercial concert venues.;I conducted a multi-sited, comparative ethnography of American DIY music scenes (mainly on the West Coast) with a focus on Davis, Olympia, Portland, Oakland, and Los Angeles. In addition, as a part of my ethnographic research, I also went on two tours with different DIY musicians and groups. In the dissertation, I consider many issues that are relevant to the participants of the DIY scenes themselves, mostly related to place and space, which structure the main theoretical framework. My main focus are therefore physical places (architecture and geography) and social spaces used and created by the DIY communities. In addition, I examine the local and translocal social constitution of DIY communities through local shows and translocal touring practices. I argue that particular types of places and spaces are instrumental in building, maintaining, and transforming American DIY communities, and also reflect and generate their social, political, and aesthetic idea(l)s. The place/space-based approach of my dissertation allows for a deeper understanding of the relationship between Western popular music practice and the everyday life of particular music communities in their cultural and geographical environment, a perspective that is often overlooked in scholarly writing about Western popular musics.

机译：在本文中，我将对自定义为DIY参与者的年轻人组织的房屋音乐会和其他DIY场所进行人类学研究。这些场馆拥有多种流派，包括朋克，实验，独立摇滚，歌手，作曲家和电子音乐。 DIY参与者致力于建立替代社区，以绕开传统，商业和机构渠道来实现其社会和文化目标。他们举办室内音乐会，既填补了合适的非商业场所替代音乐制作的空缺，又因为他们享有商业音乐会场所通常遇到的各种限制所带来的自由。我进行了多地点的比较人种志研究DIY音乐场景（主要在西海岸）的介绍，重点放在戴维斯，奥林匹亚，波特兰，奥克兰和洛杉矶。此外，作为人种志研究的一部分，我还与不同的DIY音乐家和团体进行了两次巡回演出。在本文中，我考虑了许多与DIY场景本身有关的问题，其中大部分与地点和空间有关，这些问题构成了主要的理论框架。因此，我的主要重点是DIY社区使用和创建的物理场所（建筑和地理）和社交空间。此外，我通过本地表演和跨地区旅游实践来研究DIY社区的本地和跨本地社会构成。我认为，特定类型的场所和空间有助于建立，维护和改造美国DIY社区，也能反映并产生其社会，政治和美学观念。本文的基于位置/空间的方法可以使人们更深入地了解西方流行音乐实践与特定音乐社区在其文化和地理环境中的日常生活之间的关系，这种观点在有关西方流行音乐的学术著作中经常被忽略。音乐。

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作者
Verbuc, David.;
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作者单位

University of California, Davis.;

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授予单位 University of California, Davis.;
学科 Music.
学位 Ph.D.
年度 2014
页码 502 p.
总页数 502
原文格式 PDF
正文语种 eng
中图分类
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入库时间 2022-08-17 11:53:55

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8. Seeing the Faces, Hearing the Stories, Learning from Our Communities. Using Focus Groups to Gain an Understanding of Living with Diabetes in Various Communities. [R] . Satterfield, D., Mitchell, P. 1997

机译：利用焦点小组了解各个社区的糖尿病患者。看到面孔，听取故事，向社区学习。

'Living Publicly': House Shows, Alternative Venues, and the Value of Place and Space for American DIY Communities.

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