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Models of faith and learning in theatre at colleges and universities affiliated with Churches of Christ: Selected case studies.

机译:隶属于基督教堂的大学的戏剧界的信仰和学习模式:精选案例研究。

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摘要

The Churches of Christ, a body of Christian believers descending from the nineteenth century American Restoration Movement, have a well-documented history of establishing and supporting liberal arts colleges and universities. This study of theatre programs at three of these institutions---Lipscomb University, Pepperdine University, and York College---examines the model of faith and learning operating at each school and in its respective theatre department. This study utilizes a mixed-methods approach combining a multiple case study with a self-administered Likert-scale questionnaire, illuminating the ways that the schools describe their model of faith and learning, the ways that the theatre departments at the schools interpret this model, and the ways that a cross-section of the members of these schools understands this model, along with their corresponding expectations of their school's theatre program. Robert Benne's definition of Christian higher education according to three components---vision, ethos, and Christian persons---provides the theoretical framework guiding this study. Accordingly, an "add-on" model features academic studies alongside of Christian ethos and persons, whereas an "integrated" model features some measurable degree of integration in the classroom between the worlds of faith and academics. Statistical evaluations of the survey data are reported according to an Analysis of Variance (ANOVA) and Correlation Coefficients. Survey data are then compared, using Benne's categories, to the case study findings. Based on results of this study, recommendations are offered to teachers and directors in theatre programs at any faith-based institution of higher learning.
机译:基督教堂,是十九世纪美国恢复运动的基督教信徒,在建立和支持文科学院和大学方面有着悠久的文献记载。对这三个机构(利普斯科姆大学,佩珀代因大学和约克学院)的戏剧计划的研究,考察了每所学校及其各自戏剧部门的信仰和学习模式。这项研究采用混合方法,将多案例研究与自我管理的李克特量表相结合,阐明了学校描述其信仰和学习模式的方式,学校的戏剧部门如何解释这种方式,以及这些学校的各个成员了解这种模式的方式,以及他们对学校戏剧课程的相应期望。罗伯特·贝恩(Robert Benne)根据视觉,精神和基督徒人物三个方面对基督教高等教育的定义,为指导这项研究提供了理论框架。因此,“附加”模型的特点是学术研究与基督教风气和人并列,而“综合”模型的特点是在课堂上信仰和学术界之间有一定程度的融合。根据方差分析(ANOVA)和相关系数报告调查数据的统计评估。然后,使用Benne的类别将调查数据与案例研究结果进行比较。根据这项研究的结果,可向任何基于信仰的高等教育机构的戏剧课程的老师和导演提供建议。

著录项

  • 作者

    Parker, Catherine L.;

  • 作者单位

    Wayne State University.;

  • 授予单位 Wayne State University.;
  • 学科 Theater.;Education Performing Arts.;Education Administration.;Education Higher.;Religion History of.
  • 学位 Ph.D.
  • 年度 2014
  • 页码 242 p.
  • 总页数 242
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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