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Girl-becomings: Girls Theorizing Girlhood through Visual Art, Theatre, and Digital Communications.

机译:成为女孩:通过视觉艺术,戏剧和数字通信使女孩理论化的女孩。

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摘要

Using arts-informed ethnographic approaches, theatrical techniques and a feminist/performance studies lens, this study analyzes the construction of US girlhood from the perspective of girls ranging in age from fourteen to seventeen by examining their original artistic creations and performances. Placing the artifacts of girl-created culture and the girls' representations, which I view as a performative practice, at the heart of my study, I connect girlhood studies to Butler's gender performance theories and to the larger field of performance studies. Rather than strictly analyzing these original works myself, I involve the girl participants as co-theorists in the analysis of the resulting artistic creations as a performance of girlhood.;Through our theory building sessions, we aim to discover a nuanced understanding of girlhood and how gender identity can be performed by adolescent girls, as well as how artistic and theatrical practices can serve to assist youth in exploring complex issues. The adolescent female participants serve as active writers and performers of girlhood and through their writing and performances demonstrate their understanding of what it means to be a girl in contemporary US society. In viewing the girls as theorists, I demonstrate their capabilities while honoring their experiences and knowledge, an approach I believe should be more often employed in academia and in everyday life.;Specifically, my study's central research question asks: how do US girls consume mass media representations of girlhood and reproduce or subvert these representations? In what ways do girls perform their understandings of their own identities and what it means to be a girl in contemporary US society through their creations of original art and literature, live theatrical pieces, and digital cultural practices? These works include theatrical performances, creative writing, self-portrait sculptures, and blogs/journals. Additionally, I conduct and analyze both solo and group interviews. I assert the importance of creative space and theatrical/artistic practices as tools with which girls can examine and challenge girlhood and gender discourses.
机译:这项研究使用艺术知情的人种志方法,戏剧技术和女权主义/表演研究的视角,通过检查14岁至17岁年龄段的女孩的原始艺术创作和表演,分析了美国少女时代的建构。在我研究的核心部分,我将女孩所创造的文化和女孩的表象放在我的研究中,作为一种表演实践,将女孩研究与巴特勒的性别绩效理论以及更大范围的绩效研究联系起来。我没有亲自对这些原创作品进行严格的分析,而是让女参与者作为共同理论家参与了对作为少女时代表现的艺术创作的分析。;通过我们的理论构建课程,我们的目的是发现对少女时代的微妙理解以及如何青春期女孩可以进行性别认同,以及艺术和戏剧实践可以如何帮助青年人探索复杂的问题。青春期的女性参与者是活跃的少女时代作家和表演者,通过他们的写作和表演证明了他们对当代美国社会意味着女孩的理解。在将女孩视为理论家时,我在尊重她们的经验和知识的同时展示了他们的能力,我认为这种方法应该更多地应用于学术界和日常生活中。具体而言,我研究的核心研究问题是:美国女孩如何消费大众媒体对少女时代的再现,以及再现或颠覆这些再现?女孩以何种方式表达对自己身份的理解,以及通过创作原创艺术和文学作品,现场戏剧作品和数字文化实践,成为当代美国社会中的女孩意味着什么?这些作品包括戏剧表演,创意写作,自画像雕塑和博客/新闻。此外,我进行和分析了单独访谈和小组访谈。我断言创意空间和戏剧/艺术实践作为女孩可以用来检查和挑战少女时代和性别话语的工具的重要性。

著录项

  • 作者

    Minarsich, Teresa.;

  • 作者单位

    Arizona State University.;

  • 授予单位 Arizona State University.;
  • 学科 Theater.;Gender Studies.;Education Art.
  • 学位 Ph.D.
  • 年度 2014
  • 页码 266 p.
  • 总页数 266
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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