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Colorism in Media Content: A Qualitative Study Focusing on Film and Perception

机译:媒体内容中的色彩主义:针对电影和感知的定性研究

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摘要

The phenomenon of colorism, especially among Blacks, has been researched minimally by scholars within various disciplines. Prior studies have focused primarily on its impact in such areas as education, advertising, employment, television, and the judicial system. However, there has been a prominent void in terms of film, specifically among those that have colorism-themed storylines. The overall purpose of this study was to first explore in what ways viewing colorism, as depicted and symbolized in the highly-acclaimed film, Imitation of Life (1959), may affect adults' awareness and understanding of colorism. Next, the focus was to determine generally how media and media content, particularly films and their content, may have shaped adults' perceptions regarding colorism. The study used a qualitative research methodology with an exploratory approach to examine in-depth transcriptions from four focus groups: two mixed, one White, and the other Black. The findings revealed that the majority of adult viewer perceptions regarding colorism were negative. Participants were able to glean specific instances from Imitation of Life that mirrored negativity associated with colorism in our 21st century society. Other areas of media content were also explored in relation to colorism and viewer perceptions. These robust exchanges yielded immense dialogue, encouraging Hollywood and the film industry, in general, to take a closer look at this pressing issue. Baudrillard's (1994) semiotics of media and Orbe's (1998) co-cultural theory were used to interpret and explain the results and major findings of this study.
机译:不同学科的学者对色觉现象,特别是在黑人中的现象,进行了最少的研究。先前的研究主要集中在其在教育,广告,就业,电视和司法系统等领域的影响。但是,在电影方面,特别是在那些以色彩主义为主题的故事情节中,存在着明显的空白。这项研究的总体目的是,首先探索在备受赞誉的电影《模仿人生》(1959)中所描绘和象征的观看色彩主义的方式可能会影响成年人对色彩主义的认识和理解。接下来,重点是一般确定媒体和媒体内容(尤其是电影及其内容)如何塑造成年人对色彩的看法。这项研究采用了定性研究方法和探索性方法,研究了四个焦点小组的深度笔录:两个焦点小组,一个是白人,另一个是黑人。调查结果表明,大多数成人观众对色彩的看法是负面的。参与者能够从《模仿生活》中收集特定实例,这些实例反映了我们21世纪社会与色彩主义有关的消极情绪。媒体内容的其他领域也与色彩主义和观众的感受有关。这些活跃的交流产生了巨大的对话,从而鼓励好莱坞和电影界对这一紧迫问题进行更深入的了解。鲍德里亚(1994)的媒体符号学和Orbe(1998)的共文化理论被用来解释和解释这项研究的结果和主要发现。

著录项

  • 作者

    Leary, Rameca Vincent.;

  • 作者单位

    Regent University.;

  • 授予单位 Regent University.;
  • 学科 Communication.;Black studies.;Film studies.
  • 学位 Ph.D.
  • 年度 2018
  • 页码 243 p.
  • 总页数 243
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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