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Spiritual homosociality in English Renaissance drama.

机译:英国文艺复兴时期戏剧中的精神同质性。

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摘要

This dissertation explores stage monarchs' homosocial relations with their subjects in relation to the monarch's loneliness at the apex of the patriarchal hierarchy and his divine authority as God's regent on earth. Focusing on works by Christopher Marlowe and William Shakespeare, this dissertation describes spiritual homosociality -- filial, fraternal, or rivalrous relations with spiritual beings -- as one of the ways in which male Renaissance stage monarchs compensate for loneliness or alienation from other males in the process of their struggle for power, particularly either strengthening authority or obtaining legitimacy. Here spirituality refers to both supernatural and psychological elements of a sovereign's emotional exchanges with his subjects within a political environment. The main focus of spiritual homosociality lies not with the supernatural/spiritual agents' gender but with the ways in which those agents affect the male protagonists' institutional and interpersonal relations. Tracing stage monarchs' spiritual and homosocial relations in Marlovian and Shakespearean political plays, I argue that these two playwrights explore the inner selves of princes as natural persons, presenting the ruler's cognition of human subjectivity, which is represented on stage as the ontological loneliness of the man of highest power. Yet I also argue that these playwrights' plays demonstrate the fact that early modern England was receptive to supernatural environments and to the potential political importance of uncanny agents or circumstances surrounding the fate of the king, his people, and his state. Examining the modes of spiritual homosociality, diversely represented but fundamentally interconnected, in political plays of two remarkable English Renaissance playwrights, this dissertation concludes that spiritual homosociality not only serves as a necessary quality for successful rulers in the interpersonal and institutional relations, but also marks how early political science overlaps with political theology and the supernatural.
机译:本文探讨了君主与世俗之间的同族关系,涉及君主在世袭制君主制度中的孤独以及他作为世上上帝的摄政王的神圣权威。本文着眼于克里斯托弗·马洛(Christopher Marlowe)和威廉·莎士比亚(William Shakespeare)的作品,将精神上的同质性(与精神存在的孝顺,异类或敌对关系)描述为男性文艺复兴时期君主补偿孤独感或与其他男性异化的方式之一。他们争取权力的过程,特别是加强权威或获得合法性。这里的灵性是指在政治环境中君主与臣民之间情感交流的超自然和心理因素。精神同质性的主要重点不在于超自然/精神特工的性别,而是在于这些特工影响男性主角的制度和人际关系的方式。我在马洛夫和莎士比亚的政治剧中追寻舞台君主的精神和同族关系,我认为这两位剧作家探索王子作为自然人的内心自我,展现了统治者对人类主体性的认知,这在舞台上表现为统治者的本体论孤独。权力最高的人。但是我也认为,这些剧作家的戏剧表明了这样一个事实,即现代英格兰早期接受超自然环境以及国王,他的人民和他的国家命运的神秘特工或环境的潜在政治重要性。考察了两位英国文艺复兴时期杰出作家的政治戏剧中精神同质性的表现形式,这些形态各有不同,但在根本上是相互联系的,因此,本文得出的结论是,精神同质性不仅是成功的统治者在人际和机构关系中的必要素质,而且还标志着如何早期的政治学与政治神学和超自然现象重叠。

著录项

  • 作者

    Ko, Hyundong.;

  • 作者单位

    The University of Tulsa.;

  • 授予单位 The University of Tulsa.;
  • 学科 Literature English.;Theology.;Political Science General.
  • 学位 Ph.D.
  • 年度 2014
  • 页码 233 p.
  • 总页数 233
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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