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English vows: Marriage and national identity in nineteenth-century literature and culture.

机译:英语的誓言:19世纪文学和文化中的婚姻和民族认同。

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摘要

My dissertation explores literary responses to the role marriage legislation played in shaping nineteenth-century Englishness. I argue that mariage plots written in the aftermath of the Napoleonic Wars address legal crises of national self-definition as crises revolving around the married woman's status. As England grew into the largest global power, the English wife's contradictory position at once at the center of the nation (as its reproductive core and preserver of tradition) and at its margins (as legally non-existent by virtue of being a woman and married) acquired, I suggest, a new national significance both in the law and in the novel. While conservative legislators strove to preserve the legal status quo by keeping the wife as a national boundary-marker, the plots I analyze---written by authors whose views are frequently perceived as nationalist and therefore the reason for their canonization---embraced the foreign and the cosmopolitan in ways that complicated the traditional alignment of the gendered, the marital, and the national, while foregrounding the fluidity of Englishness itself. Choosing partners whom mariage laws mark as un-English, the heroines of these texts unsettle the legally sanctioned centrality of married women to the specific foundations of English national life. The traditionally threatening figure of a foreign or cosmopolitan male helps remove the legally created gender divide on which English nationalism rested and repositions the woman more favorably within a more positively cosmopolitan nation.;As a study that demonstrates how the legal regulation of marriage helped constitute the English nation in the post-Waterloo era, the dissertation particularly queries the myth that Protestant preference for marriage over celibacy and a uniquely English celebration of romantic wedlock or "companionate marriage" set England apart from other nations. It shows that both the literary canon and the legal history problematize, and often fail to uphold, the sense of English uniqueness and superiority that the special attributes of the English institution of marriage were often said to reinforce.
机译:我的论文探讨了文学对婚姻立法在塑造19世纪英国性中的作用的回应。我认为,随着危机围绕已婚妇女的地位发生,拿破仑战争后写的婚姻情节解决了国家自定义的法律危机。随着英格兰成为最大的全球大国,英国妻子的矛盾地位立刻在国家中心(作为其生殖核心和传统的保存者)和边缘地区(在法律上由于作为女性而已婚而不存在)我建议在法律和小说中都获得新的国家意义。虽然保守的立法者通过保留妻子作为国家边界标记来努力维护法律现状,但我所分析的情节(由经常被认为是民族主义的作者撰写,并因此被其封为圣地的原因)写下了这些情节。外国人和世界性人士以复杂的方式使性别,婚姻和国民的传统结盟变得复杂,同时突出了英语本身的流动性。这些法律中的女主角选择了将婚姻法标记为非英语的伴侣,这使已婚妇女在法律上认可的中心地位对英国国民生活的特定基础产生了影响。传统上具有威胁性的外国或国际大都会男性的身材有助于消除英国民族主义所依托的法律上造成的性别鸿沟,并在一个更加积极国际化的国家中更有利地重新安置女性。作为一项研究,证明了婚姻的法律法规如何构成了在后滑铁卢时代的英国民族,论文特别质疑这样一个神话:新教徒对婚姻的偏爱是独身生活,而英国人对浪漫的非婚或“同伴婚姻”的独特庆祝使英国与其他国家脱颖而出。它表明,文学经典和法律史都使英语的独特性和优越感(常常被说成是强化了英国婚姻制度的特殊属性)的问题成问题,并且常常不能被坚持。

著录项

  • 作者

    Vranjes, Vlasta.;

  • 作者单位

    University of California, Berkeley.;

  • 授予单位 University of California, Berkeley.;
  • 学科 Literature Modern.;Literature English.;European Studies.
  • 学位 Ph.D.
  • 年度 2009
  • 页码 179 p.
  • 总页数 179
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:38:02

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