A SELECT ANTHOLOGY OF RENAISSANCE MYTHOGRAPHY.

机译：复活肌层摄影术选集。

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Purpose of the work is two-fold: to promote a critical awareness of Renaissance mythography, and provide modern access to its language.;In the anthology, excerpts from the mythographic texts are introduced and translated. The mythological figures chosen for the anthology are Pluto, Erebus, Diana, Orpheus, and Cupid. An afterword highlights some innovations that occurred in mythography during the Renaissance. Author argues that mythography gradually opened out towards life and nature to include new possibilities of interpretation. While inquiry lost certitude of meaning, it gained the freedom to explore.;Introduction states that Renaissance mythography, the mapping out of story according to prevailing modes of interpretation, can be studied as an open site of the Renaissance mind at work. To understand how this mind interpreted, author assesses various features of Renaissance inquiry into myth. The Patristic background for the study of pagan myth is examined. Critical concepts that governed the understanding of myth are explained, chiefly, the interrelated ideas that myth and poetry are identical, that their meaning is polysemous and allegorical, and that myth transforms or transumes the literal meaning of language. Author first evaluates the mythographic texts of Fulgentius, Albricus, Bersuire and, in closer detail, Boccaccio. Then appraised are the texts of Pictor, Giraldi, Conti, Cartari, Sabinus, Fraunce, Bacon, Alciati, Valeriano, and Bocchi. Summary emphasizes the increasing freedom and variety of mythographic readings in the Renaissance. Author states that through the study of Renaissance mythography, a modern scholar can experience the complex internal arena of the Renaissance mind in which many ideas from the history of theology, rhetoric, and poetics restlessly alter one another.

机译：该作品的目的有两个：提高对文艺复兴时期神话的批判意识，并提供对其语言的现代访问。在选集中，介绍并翻译了神话文字的摘录。为该文集选择的神话人物是冥王星，埃里布斯，戴安娜，奥菲斯和丘比特。后记着重介绍了文艺复兴时期神话中发生的一些创新。作者认为，神话逐渐向生活和自然敞开，包括了新的解释可能性。在探究失去意义的确定性的同时，它获得了探索的自由。引言指出，文艺复兴时期的神话，根据当时流行的解释方式从故事中的映射，可以作为文艺复兴时期思想在工作中的开放场所。为了理解这种思想是如何解释的，作者评估了文艺复兴时期对神话的探究的各种特征。考察了异教神话的爱国主义背景。首先解释了支配对神话的理解的批判概念，它们相互关联的观念是：神话和诗歌是相同的，它们的含义是多义的和寓言的，神话是对语言的字面意义的转化或转化。作者首先评估了Fulgentius，Albricus，Bersuire和Boccaccio的神话文字。然后对Pictor，Giraldi，Conti，Cartari，Sabinus，Fraunce，Bacon，Alciati，Valeriano和Bocchi的文字进行评估。摘要强调了文艺复兴时期日益增长的自由性和神话阅读的多样性。作者指出，通过研究文艺复兴时期的神话学，现代学者可以体验文艺复兴时期思想的复杂内部舞台，在其中，来自神学，修辞学和诗学史的许多观念都在不停地相互改变。

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作者
DIMATTEO, ANTHONY JOSEPH.;
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作者单位

City University of New York.;

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授予单位 City University of New York.;
学科 Modern literature.
学位 Ph.D.
年度 1986
页码 278 p.
总页数 278
原文格式 PDF
正文语种 eng
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A SELECT ANTHOLOGY OF RENAISSANCE MYTHOGRAPHY.

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