首页> 外文学位 >Toys, children, and the toy industry in a culture of consumption, 1890-1991. (Volumes I and II).
【24h】

Toys, children, and the toy industry in a culture of consumption, 1890-1991. (Volumes I and II).

机译:消费文化中的玩具,儿童和玩具行业,1890-1991年。 (第一和第二卷)。

获取原文
获取原文并翻译 | 示例

摘要

This dissertation concerns American children as cultural agents in the change from a producer culture to a consumer culture. The subject matter is the producing and marketing and designing of toys from 1890 to the present, focusing on toys generally, and to be consistent with distinctions in the industry, omitting costumes, board games, and hobby items from my work. Information is drawn from industrial journals and other standard sources.;The narrative starts with the traditional nineteenth-century toy shop, an institution of the producer culture, emphasizing character. At the beginning, there were two sources of manufactured toys: imports, mostly from Germany, and the productions of traditional toy shop. Increasingly, mass production displaced locally-made toys, and imports were largely replaced by domestic production at the time of World War I. Before the start of the twentieth century, new mass retail institutions--department stores, dime stores, and mail-order distributors--also replaced the traditional toy shop. In these institutions, children played two different cultural roles. First, they themselves were socialized into the consumer culture. Second, they acted as businesspeople's agents in manipulating adults to buy. In this way, they helped to expand the market for toys and homogenize the consumer culture.;National advertisers, too, involved children in their marketing as part of new, more manipulative selling techniques that emphasized personality rather than character. Marketers advertised directly to children. Copywriters also employed emotive images of children and childhood in advertisements geared to adults. As manufacturers found marketing and production considerations more and more difficult to separate, toymakers infused playthings with images of children, using youngsters to create fashionable playthings. The toy world eventually evolved into the television era, when marketing, advertising, production and play were finally completely combined into a functional whole.;Before World War I, businesspeople for the most part reacted to customers, and so consumers took the lead in forming the consumer culture. But by the 1920's, as businesspeople employed increasingly sophisticated marketing techniques, elites played an increasingly important role in shaping the culture. The toy industry provides evidence showing that this connection between marketing--in the form of merchandising, advertising, and design--and children did indeed exist.
机译:本论文涉及美国儿童作为文化主体在从生产者文化向消费文化的转变中的地位。主题是1890年至今的玩具的生产,销售和设计,主要侧重于玩具,并与行业中的差异保持一致,从我的工作中省略服装,棋盘游戏和业余爱好。信息来自工业期刊和其他标准来源。叙述从传统的19世纪玩具店开始,这是一种生产者文化的机构,强调品格。最初,制造玩具的来源有两个:主要从德国进口的玩具和传统玩具商店的产品。大规模生产越来越多地取代了本地制造的玩具,第一次世界大战时大量进口被国内生产所取代。在20世纪初之前,新的大规模零售机构-百货商店,毛钱商店和邮购经销商-也取代了传统的玩具店。在这些机构中,儿童扮演着两种不同的文化角色。首先,他们自己被社会化为消费文化。其次,他们在操纵成年人的购买中充当商人的代理。通过这种方式,他们帮助扩大了玩具市场,并使消费文化趋于均匀。全国性广告商也将儿童纳入他们的营销活动,这是新的,更具操纵性的销售技术的一部分,这种销售技术强调个性而非性格。营销商直接向儿童做广告。撰稿人还在针对成人的广告中运用了儿童和童年的情感形象。随着制造商发现越来越难以区分营销和生产方面的考虑因素,玩具制造商将玩物注入了孩子的形象,并利用年轻人创造了时尚的玩物。玩具世界最终演变成电视时代,营销,广告,生产和娱乐活动最终完全融合为一个功能整体。;第一次世界大战之前,商人在很大程度上对顾客产生了反应,因此消费者率先形成了消费文化。但是到了1920年代,随着商人采用越来越先进的营销技术,精英人士在塑造文化方面发挥了越来越重要的作用。玩具行业提供的证据表明,市场营销(以商品,广告和设计的形式)与儿童之间的这种联系确实存在。

著录项

  • 作者单位

    The Ohio State University.;

  • 授予单位 The Ohio State University.;
  • 学科 Business Administration Marketing.;Economics History.;Anthropology Cultural.;American Studies.
  • 学位 Ph.D.
  • 年度 1991
  • 页码 513 p.
  • 总页数 513
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号