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Architettura lodoliana: Topical mathematics as architecture.

机译:Architettura lodoliana:作为建筑的局部数学。

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摘要

The subject of this dissertation is Father Carlo Lodoli, an eighteenth century Venetian philosopher, teacher, and architectural theorist. The purpose of this study is to reconstruct Lodoli's theories about architecture and locate these theories within the development of Italian Humanist thought.;The dissertation begins with an examination of the work of Lodoli's students. They include Francesco Algarotti, Zaccaria Seriman, Giovanni Battista Piranesi, and Andrea Memmo. The work of Lodoli's contemporaries, philosophers and scientists, are then examined as sources of influence as well as parallel, interdisciplinary thought. They are Giambattista Vico, Antonio Conti, and Roger Boscovich.;The second half of the dissertation locates Lodoli's thought within the conceptual framework of humanist philosophy and architectural theory. According to the first humanist treatise on the art of building by Leon Battista Alberti, architecture is an exercise in philosophical rhetoric or eloquence. Architecture as a rhetorical exercise is related to wisdom in terms of dialectics, memory, divination, and the achievement of good fortune. Topical mathematics, the mathematics of discovery and the origin of metaphor, is defined and discussed in terms of the study methods of Alberti and Vico.;The final chapter of the dissertation is a brief examination of the development of mathematics, physics, and their application to architecture from the fifteen through eighteenth centuries in Italy. Three periods are identified and presented in brief according to the work of one humanist mathematician or natural philosopher and one paradigmatic architectural program. They are Peiro della Francesca and Donato Bramante's Tempietto, Galileo Galilei and Guarino Guarini's SS. Sidone, and the Baconian-Vichian Carlo Lodoli and Andrea Memmo's Prato della Valle.
机译:本论文的主题是18世纪威尼斯哲学家,建筑理论家,Carlo Lodoli神父。本研究的目的是重构罗多利关于建筑的理论,并将这些理论定位在意大利人本主义思想的发展之中。论文从对罗多利学生的研究开始。他们包括Francesco Algarotti,Zaccaria Seriman,Giovanni Battista Piranesi和Andrea Memmo。然后,将洛多利同时代人,哲学家和科学家的工作作为影响力以及平行的跨学科思想的源泉进行了考察。他们是Giambattista Vico,Antonio Conti和Roger Boscovich 。;论文的后半部分将Lodoli的思想置于人本主义哲学和建筑理论的概念框架内。根据莱昂·巴蒂斯塔·阿尔贝蒂(Leon Battista Alberti)关于建筑艺术的第一本人文论着,建筑是一种哲学修辞或口才的练习。建筑作为一种修辞手法,在辩证法,记忆,占卜和成就好运方面与智慧有关。根据阿尔贝蒂和维科的研究方法对主题数学,发现的数学和隐喻的起源进行了定义和讨论。论文的最后一章是对数学,物理学及其应用发展的简要考察。从十五到十八世纪的意大利建筑。根据一位人文主义数学家或自然哲学家的工作和一项范式建筑计划,确定并简要介绍了三个时期。他们是Peiro della Francesca和Donato Bramante的Tempietto,Galileo Galilei和Guarino Guarini的SS。西多内(Sidone)以及培根-威尼斯人的卡洛·洛多利(Carlo Lodoli)和安德里亚·梅莫(Andrea Memmo)的普拉托·德拉瓦勒(Prato della Valle)。

著录项

  • 作者

    Bitz, Diana Hibbard.;

  • 作者单位

    Emory University.;

  • 授予单位 Emory University.;
  • 学科 Architecture.;Philosophy.;Art history.
  • 学位 Ph.D.
  • 年度 1992
  • 页码 279 p.
  • 总页数 279
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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