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Caught in the hall of mirrors: The progressive narrative techniques of A. S. Byatt.

机译:陷入镜子大厅:A。S. Byatt的进步叙事技巧。

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摘要

This paper focuses on A. S. Byatt's narrative techniques as displayed in her three novels, The Virgin in the Garden, Still Life, and Possession. Through this study it will be revealed how with increasing stylistic complexity, A. S. Byatt's novels become paradoxically easier to read and understand. This study will focus on one aspect in particular of Byatt's style--her use of the narrative voice. Through a close examination of how the author uses voice in these three novels, one comes to the understanding that the final novel, Possession is a culmination of all that Byatt has learned from The Virgin in the Garden and Still Life. In this last major novel the author's use of voice is at its most complex and most subtle. Through this stylistic achievement Byatt's reader is at once delighted by the novel, and also necessary to the novel, as the completion of Possession depends heavily upon an active and muscular reader.
机译:本文着重于A. S. Byatt的叙事技巧,如她的三本小说(《花园中的处女》,《静物》和《占有》)所展示的。通过这项研究,将揭示出随着风格的复杂性,A。S. Byatt的小说如何变得反常的易于阅读和理解。这项研究将着重于Byatt风格的一个方面-她对叙事声音的使用。通过仔细检查作者如何在这三本小说中使用声音,人们了解到最后一部小说《占有》是拜亚特从《花园与静物》中的《处女》学到的一切的结晶。在这最后一部主要小说中,作者对声音的使用最为复杂和微妙。通过这种风格上的成就,拜亚特的读者立刻对这部小说感到高兴,这对小说也是必不可少的,因为《藏书》的完成在很大程度上取决于一个活跃而有肌肉的读者。

著录项

  • 作者

    Connor, Kimberly Jean.;

  • 作者单位

    University of Alaska Anchorage.;

  • 授予单位 University of Alaska Anchorage.;
  • 学科 Literature English.
  • 学位 M.A.
  • 年度 1994
  • 页码 76 p.
  • 总页数 76
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 I561;
  • 关键词

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