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Feminine virtue in Shakespeare's England: The power of submission in Spenser, Sidney, Shakespeare, and Leigh.

机译:莎士比亚英国的女性美德:斯宾塞,悉尼,莎士比亚和利的屈服之力。

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摘要

The purpose of this dissertation is to examine the dimensions of feminine virtue in early modern England, and to explore the gap between ideology and reality, between theory and practice, in this period when moral value was primarily described and defined by male authorities in the church, government, science, and the arts. A long tradition of negativism towards women in these institutions had led to an oppressive moral ideology whose prescriptions for virtue involved silencing women and forcing their submission to men. Philip Sidney's and Edmund Spenser's assertions that poetry at its best inspired men to virtuous action identified one of the central issues gender differentiation had raised for the subject of virtue: Active virtue was a concept associated with masculinity. Feminine virtue was linked to self-suppression and self-erasure. However, in the literature of Spenser, Sidney, Shakespeare, and Leigh there are virtuous heroines who are also active, assertive, and even, by some definitions, unruly, and male heroes who submit to situations that feminize in order to insure or redeem their virtuous reputation. This dissertation endeavors to show that in this literature, implied or performed submission enables action to be virtuous; it also blurs gender distinctions. Whereas the feminine virtues of chastity, silence, and obedience had conventionally been associated with female submission to men, and male submission to sovereign and God implied a more active and public process, the Timias episodes of The Faerie Queene and segments of Sidney's Arcadia suggest that the rewards of "feminine submission" were tangible regardless of gender. Lack of submission restricted male as well as female freedom and reputation. Feminine virtue in this literature, therefore, emerges not only as a quality that could not be contained by the standard social and religious gender theory of the day, but as an entity defined by gender but not bound by gender, rather expedient to both sexes in certain circumstances.
机译:本文的目的是研究早期现代英格兰女性美德的维度,探索在道德价值主要由教会中的男性权威描述和定义的这一时期,意识形态与现实之间,理论与实践之间的差距。 ,政府,科学和艺术。在这些机构中,对妇女实行消极主义的悠久传统导致了压迫性的道德意识形态,其美德的处方涉及沉默妇女并强迫她们屈服于男人。菲利普·西德尼(Philip Sidney)和埃德蒙·斯宾塞(Edmund Spenser)的论断认为,诗歌以其最佳的方式启发了人们采取德行,这标志着性别分化对美德提出了一个核心问题:积极的美德是与男性气质相关的概念。女性美德与自我克制和自我消除相关。然而,在斯宾塞,西德尼,莎士比亚和利等人的文学作品中,有贤惠的女主角也很活跃,自信,甚至,按照某些定义,他们不守规矩,男性英雄为了确保或赎回自己的性情而屈服于女性化的境地。良好的声誉。本文力图证明,在这些文献中,默示或执行的陈述使行为具有道德性。它还模糊了性别差异。传统上,贞操,沉默和服从的女性美德与女性对男人的顺服有关,而男性对主权和上帝的顺服意味着更加积极和公开的过程,而蒂米亚斯的《仙境女王》和西德尼的《阿卡迪亚》则暗示了这一点。不论性别,“女性屈服”的回报都是切实的。缺乏服从限制了男性和女性的自由和声誉。因此,这些文献中的女性美德不仅以当今标准的社会和宗教性别理论无法体现的特质出现,而且以性别定义但不受性别束缚的实体,在男女中都具有优势某些情况下。

著录项

  • 作者

    Craig, Martha J.;

  • 作者单位

    Purdue University.;

  • 授予单位 Purdue University.;
  • 学科 Theater.;Literature English.
  • 学位 Ph.D.
  • 年度 1997
  • 页码 244 p.
  • 总页数 244
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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