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Conflicting interests: Critical theory inside out.

机译:利益冲突:从内而外的批判理论。

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摘要

During the fall semester of 1994 seventeen night school students from Detroit's Henry Ford High School collaborated with six college students from The University of Michigan in a theater workshop. "Theater and Social Change" is a university English course based on a Freirean model of pedagogy. The students documented their interactions on videotape, in project journals, and final essays. This dissertation addresses the conflicts that arose between the high school and college students in the practice of critical theory as it informed their interests, discourses, and competing interpretations of theater and agency.; Through a critical discourse analysis of the project discourse, I focus on the use of questions by the college students as a locus of control. Their questions locate and make visible the unproblematized assumptions of the collaborators about theater and about one another. The discourse of questions facilitates the development of theories of agency and resistance taking into account the lives of collaborating partners and their conflicting interpretations of the project's goals and methods. A critical analysis of discourse shows how the high school students resist ideological influences they judge not to be in their best interest. This contradicts the assumptions of the college students, who in their attempt to employ a Freirean pedagogy, find themselves unprepared and confused by the resistance of the high school students.; Variant constructions of agency develop among the participants. The college students conceptualize theater as a form of social change. In their interpretations of the project, the high school students resist liberatory theater by insisting on performing scenes they imagine rather than scenes from their lived experience. Writing from the perspective of a teacher at the high school, I ground my argument in the theory and practice of critical pedagogies. I argue for more contextualized applications of critical theory in order that the conflicts in the students' interactions generate productive tensions and negotiated outcomes.
机译:在1994年秋季学期期间,来自底特律亨利·福特高中的17名夜校学生与密歇根大学的6名大学生合作在剧院工作坊。 “剧院与社会变革”是一门大学英语课程,其基础是弗莱雷亚教育学模型。学生在录像带,项目期刊和期末论文中记录了他们的互动。本文探讨了高中生与大学生在批判理论实践中的冲突,因为这种冲突告知了他们的兴趣,话语以及戏剧和代理的竞争性解释。通过对项目话语的批判性话语分析,我将重点放在大学生使用问题作为控制源上。他们的问题找到了合作者关于戏剧以及彼此有关的毫无疑问的假设,并使之清晰可见。考虑到合作伙伴的生活及其对项目目标和方法的相互矛盾的解释,问题的讨论促进了代理理论和抵制理论的发展。对话语的批判性分析表明,高中生如何抵抗他们认为不符合其最大利益的思想影响。这与大学生的假设相抵触,大学生试图采用弗莱雷亚主义教学法,但由于高中生的反抗而发现自己没有做好准备并感到困惑。参与者之间发展了不同的代理机构结构。大学生将戏剧概念化为一种社会变革形式。在对项目的解释中,高中学生坚持表演自己想象的场景,而不是根据自己的生活经历来抵抗解放剧院。从高中老师的角度进行写作,我的论点是基于批判教学法的理论和实践。我主张批判性理论的更多情境化应用,以使学生互动中的冲突产生生产性紧张并商定结果。

著录项

  • 作者

    Herter, Roberta Joan.;

  • 作者单位

    University of Michigan.;

  • 授予单位 University of Michigan.;
  • 学科 Literature English.; Language Linguistics.; Education Secondary.; Education Higher.
  • 学位 Ph.D.
  • 年度 1998
  • 页码 205 p.
  • 总页数 205
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 语言学 ; 中等教育 ; 高等教育 ;
  • 关键词

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