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The bejeweled body: Beauty and ornamentation in Banaras, India.

机译:珠宝饰物:印度Banaras的美丽和装饰。

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摘要

Studies of ornamentation in India have tended to focus on adornment found on statues in temples or on isolated objects of jewelry. Few works have centered on the decoration found on women's bodies and its integration as an organic whole or as a complete work of art. This study examines items of jewelry not only as objects of art, but as dynamic instruments affecting motion, creating a sound, camouflaging and enhancing the wearer's inherent beauty, and helping the body to adhere to existing standards of ideal feminine beauty. Jewelry is self-consciously worn as a way of communicating non-verbally the wearer's many identities and interests: ethnic, regional, religious, marital, astrological and superstitious among others. Jewelry placed on a woman's body not only affects her visage, but her behavior, mood, movements, housework and child care. The way a woman smells, looks, feels, and especially the sound she makes as she walks, moves or dances has a profound effect on herself and her audience, especially on her husband.;An analysis of adornment also provides insight into the wearer's perception of her own body, feelings towards the person for which she is adorning herself, the occasion she is attending and the people present or absent from that particular event. Women manipulate their own adornment to gain control of family situations, for example by helping their husbands fall in love with them (in arranged marriage situations). Daughters-in-law may be outwardly obedient and submissive to their mothers-in-law, but may be simultaneously rebellious by altering their self-image with the absence or presence of specific items of jewelry, choice of colors, amount or juxtaposition.;The study of the aesthetic impulses found among women in India provides insight into power struggles, notions of individuality, satisfaction of creative urges and the acquisition of pleasure and self-esteem. The popular perception of Indian women as helpless beings is incorrect. In fact, by manipulating their bodies through adornment women in Banaras can actively improve the quality of their lives.
机译:在印度,关于装饰的研究倾向于集中在寺庙雕像或孤立珠宝上发现的装饰品上。很少有作品将装饰摆在女性身上并将其整合为有机整体或完整艺术品。这项研究不仅将珠宝物品作为艺术品,而且还将其作为影响运动,产生声音,伪装并增强佩戴者内在美感的动能工具,并帮助身体坚持理想的女性美感的现有标准。自觉佩戴珠宝是一种非言语表达佩戴者的许多身份和兴趣的方式:种族,地区,宗教,婚姻,占星和迷信。放置在女人身上的珠宝不仅会影响她的容貌,还会影响她的行为,情绪,动作,家务和育儿。女人的气味,外观,感觉,尤其是走路,移动或跳舞时发出的声音,对她自己和听众,特别是对丈夫,都有深远的影响;对装饰的分析还可以洞察穿戴者的感受自己的身体,对她所要装饰的人的感觉,她参加的场合以及在该特定事件中在场或不在场的人们。妇女可以操纵自己的装饰品来控制家庭状况,例如通过帮助丈夫爱上她们(在包办婚姻的情况下)。 s妇可能外在服从并顺从其mother妇,但在缺少或没有珠宝的特定物品,颜色,数量或并置的情况下,通过改变自己的自我形象,可能会同时叛逆。对印度女性中发现的审美冲动的研究提供了对权力斗争,个性观念,创造性冲动的满足以及获得愉悦和自尊的深刻见解。人们普遍认为印度妇女是无助的生物。事实上,通过装饰女性来操纵自己的身体,巴纳拉斯的妇女可以积极改善生活质量。

著录项

  • 作者

    Shukla, Pravina.;

  • 作者单位

    University of California, Los Angeles.;

  • 授予单位 University of California, Los Angeles.;
  • 学科 Folklore.;Womens studies.;Design.;Cultural anthropology.
  • 学位 Ph.D.
  • 年度 1998
  • 页码 228 p.
  • 总页数 228
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:48:39

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