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Learning from Chandigarh: Hybridity. Different moments, diverse effects.

机译:向昌迪加学习:杂交。不同的时刻,不同的效果。

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摘要

As the first example of a town consciously built where two cultures, the Indic and the Western, entered redefined relationships under the relatively freer powers of post-colonialism, cross-breeding political, town-planning and architectural ideas and elements, Chandigarh offers us a case-study of Indic-Western hybridity that is, "the blending of two diverse traditions (and transforming them) into something heterogeneous...in composition," 1 with, as I define it, three characteristics---functional, social and visual.Past studies of the architecture and town-planning of Chandigarh have either examined Chandigarh on a comparative basis (Nillson in The New Capitols of India, Pakistan, and Bangladesh) in a historical manner (Evenson in Chandigarh, and Von Moos in The Politics of the Open Hand) the realm of form and meaning in the Capitol Complex (Curtis in Le Corbusier, Ideas and Forms) or the works of Corbusier and Jeanneret and their influence on Indian architecture (Bahga and Bahga in Le Corbusier and Pierre Jeanneret: Footprints on the Sands of Indian Architecture). In contrast, I treat Chandigarh as a case study of hybridism. This approach allows me to examine the varied effects that cross-fertilization promotes---a variety of inventions and conflicts. It also allows me to examine the change from past regional architecture and the balance of forces between the Western and Indic sides. And, through the frame of Chandigarh and time, it allows me to examine the response of the inhabitants of Chandigarh and Indian counterpart town-planners and architects to western agenda and practice that, in turn, created various other hybrids with disparate effects.Despite attractive inventions, Chandigarh is a weak 'hybrid' of Indic-Western diverse visual and functional traditions, although the inhabitants of Chandigarh have created, transformed, and are transformed by, the city to increase its functional and social, and to a small extent, visual hybridity, within the parameters of what was possible. Over time, however, some Indian architects and town-planners outside of Chandigarh have used the ideas in the fabric of Chandigarh to create different hybrids with a greater balance of Indic and Western forces.1Neufeldt ed. Webster's New World Dictionary , (Cleveland and New York: Simon and Schuster, 1988), 660.
机译:作为有意识地建造的城镇的第一个例子,印度文化和西方文化在后殖民主义,杂交政治,城市规划和建筑思想和元素的相对自由的力量下进入了重新定义的关系,昌迪加尔为我们提供了印度-西方杂交的案例研究,即“将两种不同的传统融合(并将它们转化为异质……组成)” 1,按照我的定义,它具有三个特征:功能性,社会性和社会性。对昌迪加尔的建筑和城市规划的过去研究要么以历史的方式(昌迪加尔的埃文森,政治版块的冯·穆斯)以比较的方式(在印度,巴基斯坦和孟加拉国的新国会大厦的尼尔森)对昌迪加尔进行了研究张开的手)在国会大厦的形式和意义的领域(勒柯布西耶的柯蒂斯,思想与形式)或柯布西耶和简纳雷特的作品及其对印度建筑的影响(勒巴赫的巴赫加和巴赫加)柯布西耶(Corbusier)和皮埃尔(Pierre Jeanneret):印度建筑沙滩上的足迹。相比之下,我将昌迪加尔视为杂交的案例研究。这种方法使我能够研究交叉受精促进的各种效果-各种发明和冲突。这也使我能够研究过去的区域架构的变化以及西方和印度方面之间的力量平衡。而且,通过昌迪加尔和时间的框架,它使我能够考察昌迪加尔的居民以及印度同行的城市规划者和建筑师对西方议程的反应,并实践出反过来又创造了各种不同的混合动力。昌迪加尔的发明是印度-西方多样化视觉和功能传统的弱“混合体”,尽管昌迪加尔的居民已经创造,改造和改造了这座城市,以增加其功能和社会,并在一定程度上增强了视觉在可能范围内的混合性。但是,随着时间的流逝,昌迪加尔以外的一些印度建筑师和城市规划人员已经将昌迪加尔的构想运用到了昌迪加尔的构想中,以创造出具有更多印度和西方力量平衡的不同混合体。1Neufeldted。韦伯斯特的《新世界词典》(克利夫兰和纽约:西蒙和舒斯特,1988年),第660页。

著录项

  • 作者

    Kapur, Vinita.;

  • 作者单位

    University of Pennsylvania.;

  • 授予单位 University of Pennsylvania.;
  • 学科 Art History.Architecture.Urban and Regional Planning.
  • 学位 Ph.D.
  • 年度 2001
  • 页码 289 p.
  • 总页数 289
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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