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Collaborative interface: Writing the Web with interactive multimedia and virtual reality.

机译:协作界面:使用交互式多媒体和虚拟现实编写Web。

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摘要

This dissertation argues that writing the web is a process of interactivity among participants through a collaborative interface of word, image, and sound. The Web is discussed in this project as a hybrid medium for writing in various forms. This interactive environment is also theorized as a medium for the production of original student projects in collaboration with other authors. As such, we need to re-think our understanding of writing beyond print, text, and hypertext, to account for the visual, aural, virtual, and interactive elements of the Web. This critical inquiry into the pedagogical aspect of digital media is examined through five inter-related frameworks: interfacing, orality, visuality, virtuality, and textuality.; This project takes an interdisciplinary approach that explores prior precedents in multimedia and virtual reality in twentieth century collage on paper and canvas. Nineteenth century developments in photography will also be examined. For instance, the diorama and daguerreotype are discussed as nascent virtual realities that challenged cultural expectations concerning the nature of representation and truth. These early artistic and technological developments are examined within a contemporary context of the World Wide Web, which is theorized as a collage-like fictive space for composition. This dissertation examines web based multimedia in detail including several examples of Internet Art featured in the Whitney Biennial 2000.; While this digital medium is unique and innovative, the component parts of the Web can be better understood in relation to a history of oral tradition, literature, print, painting, photography, and technologies of code, such as the telegraph. This is an important perspective to consider as we utilize web-based multimedia, networked hypertext, and virtual reality interfaces in education. Technology continues to be a major force in educational environments, yet teachers often struggle with how to effectively teach with new media in ways to support writing and literacy. We gain insights about how to write with and teach with this medium by avoiding uncritical assumptions concerning the expectations of technology to automatically resolve pedagogical issues. While this project takes a theoretical and historical approach to these issues, the central concern of this dissertation relates to the role of teachers in this writing process.
机译:本文认为,编写网络是参与者通过单词,图像和声音的协作界面进行交互的过程。 Web在此项目中作为混合媒体以各种形式编写而进行了讨论。从理论上讲,这种交互式环境是与其他作者合作制作原始学生项目的一种媒介。因此,我们需要重新思考对印刷,文本和超文本以外的文字的理解,以解决Web的视觉,听觉,虚拟和交互式元素。通过五个相互关联的框架研究了对数字媒体教学方面的这种批判性探究:接口,口述,视觉,虚拟和文本。该项目采用跨学科方法,探索了二十世纪纸和画布上的多媒体和虚拟现实的先例。还将研究19世纪摄影技术的发展。例如,西洋镜和daguerreotype被讨论为新生的虚拟现实,它挑战了关于表征和真理性质的文化期望。这些早期的艺术和技术发展是在万维网的当代语境中进行考察的,万维网在理论上被视为拼贴的虚构构图空间。本文详细研究了基于网络的多媒体,其中包括《惠特尼双年展2000》中精选的一些互联网艺术实例。尽管这种数字媒体具有独特性和创新性,但相对于口述传统,文学,印刷,绘画,摄影和密码技术(例如电报)的历史,可以更好地理解Web的组成部分。当我们在教育中利用基于Web的多媒体,网络超文本和虚拟现实界面时,这是需要考虑的重要观点。技术仍然是教育环境中的主要力量,但是教师经常在如何通过支持写作和素养的方式有效地利用新媒体进行教学方面挣扎。我们避免了关于自动解决教学问题的技术期望的非关键性假设,从而获得了关于如何使用这种媒介进行写作和教学的见解。尽管本项目对这些问题采取了理论和历史的方法,但本文的主要关注点还是教师在写作过程中的作用。

著录项

  • 作者

    Mackey, Thomas Patrick.;

  • 作者单位

    State University of New York at Albany.;

  • 授予单位 State University of New York at Albany.;
  • 学科 Language Rhetoric and Composition.; Art History.; Information Science.; Education Language and Literature.; Education Technology.
  • 学位 Ph.D.
  • 年度 2001
  • 页码 231 p.
  • 总页数 231
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 语言学;艺术史、艺术思想史;信息与知识传播;
  • 关键词

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