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The modern art of dying: The history of euthanasia in America.

机译:垂死的现代艺术:美国安乐死的历史。

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摘要

This is a study of the history of euthanasia in the United States. The medical hastening of death was first proposed as a public policy in the late 19th century, long before the technical advances commonly associated with it. The question this dissertation raises is: how did euthanasia emerge as a modern way of dying?;The emergence of euthanasia proceeded from a radical transformation in the way we die, by which care of the dying moved from the domain of religion, through medicine, to the jurisdiction of positive law and public policy. This movement may be seen as an aspect of the rise of technique and the decline of art in our world.;First, with the rise of the Protestant ethic, dying lost its earlier Christian character as a moment of transition between this world and the world to come, and holy dying became an art of holy living culminating in the last hours of life. Second, the position of the priest as minister of salvation at the deathbed was taken over by the physician as minister of medical hope. The physician, who had the duty to care for the dying patient but lacked the means to do so, turned to euthanasia to overcome the hopeless suffering of the dying. Third, to prevent the medical profession from abusing its power, positive law, in the form of state law, assumed the role of regulating medical euthanasia. At the same time, in the first decades of the 20th century, euthanasia came to be seen as an instrument of public policy, part of a range of means by which the State would undertake to manage its biological resources; its reach then extended not only to the dying but also to the "physically disabled" and the "mentally handicapped." The routinization of medically-hastened death and the turn of dying from art to technique, reached a high point, when "lethal dosing"---the administration of sedatives with the intention of relieving pain but with the well-known outcome of hastening death---became widely practiced and not even considered an act of taking life.
机译:这是对美国安乐死历史的研究。在19世纪末,在比通常与之相关的技术进步要早得多的情况下,医学上加速死亡的提议是一项公共政策。本论文提出的问题是:安乐死是如何作为一种现代的死亡方式出现的;安乐死的出现源于我们死亡方式的根本转变,通过这种方式,对死亡的关心从宗教领域转移到了医学领域,受实法和公共政策管辖。这种运动可以看作是我们世界技术发展和艺术衰落的一个方面。首先,随着新教徒伦理学的兴起,垂死的人失去了早期基督教的品格,这是这个世界与世界之间过渡的时刻。随之而来,神圣的死亡成为了生活的最后时刻达到最高点的神圣生活的艺术。其次,牧师在临终前担任救世主的职位由医师接任了医疗希望的部长。这位医生有责任照顾垂死的病人,但缺乏这样做的手段,他转向安乐死以克服垂死者的无望痛苦。第三,为防止医学界滥用职权,以国家法律形式的实证法承担了调节医疗安乐死的作用。同时,在20世纪的前几十年,安乐死被视为一种公共政策工具,是国家承诺管理其生物资源的一系列手段的一部分;然后,它的影响力不仅扩展到垂死的人们,而且扩展到“身体残疾的人”和“弱智的人”。当进行“致命剂量”时,医学上的死因的常规化和从艺术到技术的死亡转变达到了一个高峰,这是为了减轻疼痛而使用镇静剂,但众所周知的结果是加速死亡---被广泛实践,甚至不认为是夺取生命的行为。

著录项

  • 作者

    Lavi, Shai Joshua.;

  • 作者单位

    University of California, Berkeley.;

  • 授予单位 University of California, Berkeley.;
  • 学科 Law.;Sociology General.;History United States.
  • 学位 Ph.D.
  • 年度 2001
  • 页码 248 p.
  • 总页数 248
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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