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August von Platen in the discourse of homosexuality: From the age of Goethe to Thomas Mann (1821--1936).

机译:奥古斯·冯·普拉登(August von Platen)讲的是同性恋:从歌德时代到托马斯·曼(Thomas Mann,1821--1936年)。

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摘要

August von Platen (1796--1835) has had a prominent place in anthologies of German poetry. Because he was one of the first major writers of modern times to speak openly of his love for men, however, the interpretation of his role in modern literary history has been marred by controversy. Despite the obvious significance of Platen's role, his historical impact at the points where literature and homosexuality intersect has seldom received serious scholarly attention. This dissertation fills the gap by carefully tracing the complex lines in Platen's literary reception between 1821, the year of Platen's first published efforts, and 1936, when the last significant research on Platen appeared before the World War II. These lines are intertwined with the discourse about homosexuality, for which Platen often acted as a catalyst.The dissertation documents reactions to Platen in context. Platen alienated contemporaries, among them Goethe, by vehement attacking critics. In the subsequent war of words, in Die Bader von Lucca (1830), Heine attacked Platen's sexuality. Stefan George and Thomas Mann, however, owed much to Platen's aesthetics, which suited the cultural trends of the Fin de Siecle , to camouflage their homosexual desires. This influence is evident in George's poetic cycle Algabal (1892), and in Mann's novella Tod in Venedig (1912). Mann participated in the Platen-Gesellschaft (1925--1936), the publications of which express mixed signals of homosexuality and fascism and include a contribution from Benito Mussolini. Writings of the Platen-Gesellschaft also demonstrate the degeneration of homosexual discourse during the Weimar Republic and the early years of Nazism.A neglected area of Platen's legacy featured here occurs outside the established German literary canon. Platen's unabridged Tagebucher (1896--1900) influenced pioneering psychoanalysts. These diaries also inspired articles about Platen in Der Eigene and Jahrbuch fur sexuelle Zwischenstufen, the first gay periodicals. German homosexual studies were first translated into English by Xavier Mayne in The Intersexes (1908), a sexology treated here in detail. In this work, Mayne upheld Platen as a cultural icon for the nascent gay community. He also treated Platen in other writings, such as in Imre (1906), which is considered the first American gay novel.
机译:August von Platen(1796--1835)在德国诗歌选集中占有重要地位。然而,由于他是现代最早的主要作家之一,他公开地表达了对男人的热爱,因此对他在现代文学史上的作用的解释受到了争议。尽管Platen扮演的角色具有明显意义,但他在文学与同性恋交汇处的历史影响很少受到学术界的重视。这篇论文填补了空白,通过仔细地追踪了在1821年(即Platen首次发表的著作之年)到1936年(第二次世界大战之前出现的关于Platen的重要研究)之间的Platen文学接受中的复杂界限。这些观点与关于同性恋的论述交织在一起,而普兰经常以此为催化剂。压板通过激烈抨击批评家疏远了当代人,其中包括歌德。在随后的口水战中,海涅(Heine)在《死巴德尔·冯·卢卡(Die Bader von Lucca)》(1830年)中抨击了普拉顿的性欲。但是,斯特凡·乔治和托马斯·曼恩,很大程度上要归功于Platen的美学,这些美学适合Fin de Siecle的文化潮流,从而掩饰了他们的同性恋欲望。这种影响在乔治(George)的诗歌周期《阿加瓦尔》(Algabal,1892年)和曼恩的中篇小说托德(Venedig)中的托德(Tod,1912年)中很明显。曼恩(Mann)参加了Platen-Gesellschaft(1925--1936),其出版物表达了同性恋和法西斯主义的混合信号,其中包括贝尼托·墨索里尼(Benito Mussolini)的贡献。 Platen-Gesellschaft的著作也证明了魏玛共和国和纳粹主义初期同性恋话语的退化。Platen遗留下来的一个被忽视的地区发生在德国既定的文学典范之外。普兰(Platen)毫不删节的Tagebucher(1896--1900)影响了开创性的心理分析家。这些日记还启发了有关Der Eigene中的Platen和第一批同性恋期刊Jahrbuch fur sexuelle Zwischenstufen的文章。德国同性恋研究最早是由Xavier Mayne在The Intersexes(1908)中翻译成英文的,在这里对性别进行了详细的研究。在这项工作中,梅恩(Mayne)维持了Platen作为新生的同性恋社区的文化偶像。他还用其他著作对待Platen,例如在Imre(1906)中,这被认为是第一部美国同性恋小说。

著录项

  • 作者

    Henry, Sean.;

  • 作者单位

    University of Kansas.;

  • 授予单位 University of Kansas.;
  • 学科 Literature Germanic.
  • 学位 Ph.D.
  • 年度 2001
  • 页码 326 p.
  • 总页数 326
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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