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Science in a bottle: The medical museum in North America, 1860--1940 (Maude Abbott).

机译:瓶装科学:1860--1940年,北美医学博物馆(Maude Abbott)。

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This dissertation focuses on the use of museums in medical education in North America in the period between 1860 and 1940. Although museums were nearly ubiquitous in medical schools and hospitals in this period, scholars have tended to deny the scientific mission of these museums and instead characterize them as freakshows or reliquaries. Medical museums were neither, I argue, but were intellectually analogous to the laboratory. Designed to form the were active sites of knowledge production and transmission. Thought by their nineteenth- and early twentieth-century adherents to represent a vibrant and stimulating application of the museum method to the practical problems of medical education, medical museums presented complex information in what curators believed to be an uniquely accessible medium. At the core of the medical museum experience was the gross pathological specimen; specimens occupied this role because of curators' belief that the object was more pedagogically compelling than the text and that the visual experience was more readily assimilated than the aural.; I draw upon material culture studies as well as museum studies and the historiography of medicine to explore how medical museum artifacts became the basis for institutional structures and professional careers. As I trace in my study, although many physicians in the 1920s and '30s became increasingly uncertain about the educational and research purpose of medical museums, those physicians who had built their careers upon artifacts did not abandon the museum easily. Curators responded to this uncertainty by casting about for new uses and audiences for their collections, but their devotion to that premier artifact of the museum, the gross pathological specimen, limited their ability to adapt the medical museum to new purposes. Condemned as collections of “meat” with little educational or research value in a rapidly changing medical milieu, many museums which were once the pride of their medical schools were simply discarded, and with them, an entire method for visualizing and communicating medical knowledge was discarded as well.
机译:本文主要研究1860至1940年间博物馆在北美医学教育中的应用。尽管在此期间,博物馆在医学院和医院中几乎无处不在,但学者们倾向于否认这些博物馆的科学使命,而是将其特征化。他们作为怪胎秀或遗物。我认为,医学博物馆既不是实验室,又在智力上类似于实验室。旨在形成活跃的知识生产和传播场所。十九世纪和二十世纪初的拥护者们认为,博物馆法在医学教育的实际问题中代表着一种充满活力和刺激性的应用,医学博物馆提供了复杂的信息,馆长认为这是策展人唯一可访问的媒介。医学博物馆经验的核心是病理标本。标本之所以扮演这个角色,是因为策展人认为该对象比文字更具教育吸引力,并且视觉体验比听觉更容易被吸收。我利用物质文化研究,博物馆研究和医学史学来探讨医学博物馆的人工制品如何成为机构结构和职业生涯的基础。正如我在研究中所追踪的那样,尽管1920年代和30年代的许多医师对医学博物馆的教育和研究目的越来越不确定,但是那些依靠文物建立事业的医师并没有轻易地放弃博物馆。对于这种不确定性,策展人通过寻找新用途和新观众来应对,但他们对博物馆最重要的人工制品,总病理标本的热爱限制了他们使医学博物馆适应新用途的能力。在迅速变化的医学环境中,人们指责这些“肉”的收藏品几乎没有任何教育或研究价值,而许多曾经是其医学院的骄傲的博物馆被简单地丢弃了,而与此同时,用于可视化和交流医学知识的整个方法也被丢弃了。也一样

著录项

  • 作者

    McLeary, Erin Hunter.;

  • 作者单位

    University of Pennsylvania.;

  • 授予单位 University of Pennsylvania.;
  • 学科 History of Science.; History United States.; Education History of.
  • 学位 Ph.D.
  • 年度 2001
  • 页码 291 p.
  • 总页数 291
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 自然科学史;美洲史;教育;
  • 关键词

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