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Politeness, emotion, and gender: A sociophonetic study of voice pitch modulation.

机译:礼貌,情感和性别:对语音音高调制的社会语音研究。

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摘要

The present dissertation is a cross-gender and cross-cultural sociophonetic exploration of voice pitch characteristics utilizing speech data derived from Japanese and American speakers in natural conversations. The roles of voice pitch modulation in terms of the concepts of politeness and emotion as they pertain to culture and gender will be investigated herein. The research interprets the significance of my findings based on the acoustic measurements of speech data as they are presented in the ERB-rate scale (the most appropriate scale for human speech perception).; The investigation reveals that pitch range modulation displayed by Japanese informants in two types of conversations is closely linked to types of politeness adopted by those informants. The degree of the informants' emotional involvement and expressions reflected in differing pitch range widths plays an important role in determining the relationship between pitch range modulation and politeness. The study further correlates the Japanese cultural concept of enryo (“self-restraint”) with this phenomenon.; When median values were examined, male and female pitch ranges across cultures did not conspicuously differ. However, sporadically occurring women's pitch characteristics which culturally differ in width and height of pitch ranges may create an ‘emotional’ perception of women's speech style. The salience of these pitch characteristics appears to be the source of the stereotypically linked sound of women's speech being identified as ‘swoopy’ or ‘shrill’ and thus ‘emotional’.; Such women's salient voice characteristics are interpreted in light of camaraderie/positive politeness. Women's use of conspicuous paralinguistic features helps to create an atmosphere of camaraderie. These voice pitch characteristics promote the establishment of a sense of camaraderie since they act to emphasize such feelings as concern, support, and comfort towards addressees, Moreover, men's wide pitch ranges are discussed in view of politeness (rather than gender). Japanese men's use of wide pitch ranges during conversations with familiar interlocutors demonstrate the extent to which male speakers can increase their pitch ranges if there is an authentic socio-cultural inspiration (other than a gender-related one) to do so. The findings suggest the necessity of interpreting research data in consideration of how the notion of gender interacts with other socio-cultural behavioral norms.
机译:本文是在自然对话中利用来自日本和美国演讲者的语音数据对语音音高特性进行跨性别和跨文化的社会语音探索。本文将研究语音调高在礼貌和情感概念方面的作用,因为它们涉及文化和性别。该研究基于语音数据的声学测量结果解释了我的发现的意义,因为这些数据以ERB速率量表(最适合人类语音感知的量表)呈现。调查显示,日本线人在两种类型的对话中显示的音调范围调节与这些线人所采用的礼貌类型密切相关。在不同的音高范围宽度中反映出的线人情感参与和表情的程度在确定音高范围调节与礼貌之间的关系中起着重要作用。该研究进一步将日本文化“ italic> enryo (“自我约束”)与这种现象联系起来。当检查中间值时,跨文化的男性和女性音调范围没有明显差异。但是,偶尔出现的女性音调特征在音高范围的宽度和高度上在文化上会有所不同,可能会产生对女性言语风格的“情感”感知。这些音调特征的显着性似乎是将女性语音的定型链接声音识别为“松散”或“尖锐”,因而被称为“情感”的来源。这种女性明显的嗓音特征是根据友情/积极礼貌来解释的。妇女使用明显的副语言功能有助于营造友情气氛。这些声音音调特征通过强调对被叫者的关注,支持和舒适感而促进了友情感的建立。此外,出于礼貌(而不是性别)考虑了男性的音调范围。日本男性在与熟悉的对话者交谈期间使用宽音调范围,这表明如果有真正的社会文化灵感(与性别相关的灵感除外),男性演讲者可以在多大程度上提高音调范围。研究结果表明,考虑到性别概念如何与其他社会文化行为规范相互作用,解释研究数据的必要性。

著录项

  • 作者

    Yuasa, Ikuko.;

  • 作者单位

    University of California, Berkeley.;

  • 授予单位 University of California, Berkeley.;
  • 学科 Language Linguistics.; Physics Acoustics.
  • 学位 Ph.D.
  • 年度 2001
  • 页码 136 p.
  • 总页数 136
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 语言学;声学;
  • 关键词

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