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The elusive action of creativity: Art and its making (Original artwork).

机译:创造力难以捉摸的行为:艺术及其创作(原始艺术品)。

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摘要

This interdisciplinary dissertation explores the creative processes of an artist and the transcendent nature of artistic experience. The phenomenological and heuristic aspects of this dissertation look at elements of the creative processes presented from both within and without . From within, the specific production pieces that informed and created this dissertation are explored through a mythopoetic lens. This provides the reader with an inside glimpse of the movement that occurs within the artist's mind, body, and spirit as she gives voice to the images that present to her. From without, three fundamental approaches to understanding the artist and the creative processes are presented: mimesis, numinous and informed intuition. The dissertation explores how mythic, depth psychological, and theoretical viewpoints illuminate these processes.; It has been my experience as a life-long artist that artistic creativity involves living and working at the borderlines of the rational and mythopoetic. This transcendent place of edgeness requires the artist to partake in a dance of body, mind, and spirit as she gives voice to the creative urges that surge through her. In this dissertation I have illustrated my journey of art making with four series of paintings, the written sacred stories told to me by some of these painted images, and the resultant creation myths that I wrote. It is my hope that these examples will not only provide insight into my own creative process, but also into the nature and possibilities involved with creative processes in general. While embracing the unknown, the irrational, and the mythopoetic, creativity also underscores the dynamic potential of simultaneously holding the tensions of the rational and the mythopoetic, the real and the unreal, and fact and fiction. This in-formed holding is one of the essential lessons artists can teach us all: that embracing intuition and the dark ambiguities which are forever a part of life, while simultaneously keeping a toehold to rationality, leads to an experience of the creative dance of being in the world.
机译:这个跨学科的论文探讨了艺术家的创作过程和艺术经验的超然本质。本文的现象学和启发式方面着眼于 in without 提出的创作过程的要素。从内部,通过神话般的视角探索了为该论文提供信息并创造出成果的具体产品。这样,当读者为呈现给她的图像发出声音时,就可以使读者对发生在艺术家的思想,身体和精神内的运动产生内在的瞥见。从零开始,提出了三种理解艺术家和创作过程的基本方法:<斜体>模仿,无数和<斜体>知觉直觉。本文探讨了神话,深度心理学和理论观点如何阐明这些过程。作为一个终身艺术家,我的经验是艺术创造力涉及在理性和神话般的边界生活和工作。这个超越边缘的地方要求艺术家在表达自己的创作冲动时,参与身体,思想和精神的舞蹈。在这篇论文中,我用四个系列的画作说明了我的艺术创作历程,这些画作中的一些故事告诉了我神圣的书面故事,以及由此产生的创作神话。我希望这些示例不仅可以洞悉我自己的创作过程,而且可以洞悉创作过程中涉及的性质和可能性。在包容未知,非理性和神话般的创造力的同时,创造力也突显了同时保持理性与神话,真实与虚幻,事实与虚构之间的张力的动态潜力。这种形式的持有人是艺术家可以教给我们所有人的基本课程之一:拥抱直觉和黑暗模棱两可永远是生活的一部分,同时保持理性的立足点,会导致体验成为世界的创意舞蹈。

著录项

  • 作者单位

    Pacifica Graduate Institute.;

  • 授予单位 Pacifica Graduate Institute.;
  • 学科 Education Art.; Fine Arts.
  • 学位 Ph.D.
  • 年度 2002
  • 页码 154 p.
  • 总页数 154
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 艺术;
  • 关键词

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