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Power from the north: The poetics and politics of energy in Quebec.

机译:来自北方的力量:魁北克的能源诗学与政治。

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In 1971, Robert Bourassa, then Premier of Québec, launched a major hydroelectric scheme to be built 1400 km North of Montréal. Known as the “James Bay” project, the first phase included the creation of eight powerhouses, six reservoirs and the diversion of two rivers. These transformations necessarily impacted the local Cree people; a territorial agreement partly compensated them but remains controversial to this day. While northern communities overwhelmingly bear the ecological cost of the project, the bulk of James Bay energy flows south to the industrial centers of Québec, Ontario and the U.S. The assertion then that “James Bay belongs to all the Québécois” which was meant to ease political tensions about the project begs the question, “Who are the Québécois” and how do the Crees fit within such a community?; This thesis explore that question by looking at the Québécois cultural production of territory and its resources in the north. If James Bay was out of reach, it was never out of view. Media and political discourses reiterated key elements of a Québécois cultural relationship to place, some of which are contained in the rural literature known as the roman de la terre. Several elements of this literature and its broader context were recontextualized in James Bay, particularly as they pertained to the will to occupy the land and develop natural resources. This was an important aspect of making James Bay—a land historically inhabited by the Crees—into a “Québécois” national landscape. I suggest that this process was largely rooted in representations of nature that sought to bind it with nation and national identity. Thus James Bay demonstrates the close connection between identity and environmental struggles. For the Québécois, the access to James Bay was supported by a territorial discourse that performed their own cultural past. This provoked an organized resistance from the Crees which constituted them as a modern political unit. A look at the cultural geography of the region highlights the political scales created in the accessing of resources that render their equitable and sustainable use more difficult to achieve.
机译:1971年,时任魁北克省总理的罗伯特·布拉萨(Robert Bourassa)发起了一项大型水力发电计划,计划在蒙特利尔以北1400公里处修建。第一阶段被称为“詹姆斯湾”项目,包括创建八座发电站,六个水库和分流两条河流。这些转变必然影响了当地的克里人。领土协议部分补偿了他们,但直到今天仍引起争议。尽管北部社区绝大多数承担了该项目的生态成本,但詹姆士湾的大部分能源却向南流向魁北克,安大略省和美国的工业中心。当时的说法是“詹姆士湾属于魁北克省的所有地区”,旨在缓解政治压力。关于该项目的紧张局势提出了一个问题:“谁是魁北克人?”,而克里族人如何适应这样的社区?本文通过考察魁北克地区北部的文化生产及其资源来探讨这个问题。如果詹姆士·贝(James Bay)遥不可及,那就永远不会消失。媒体和政治话语重申了魁北克文化关系的关键要素,其中一些包含在被称为 roman de la terre 的乡村文学中。詹姆斯·贝(James Bay)重新审视了该文学的几个要素及其更广泛的背景,尤其是它们与占领土地和开发自然资源的意愿有关。这是使詹姆斯湾(历史上曾是克里人居住的土地)成为“魁北克”国家景观的重要方面。我建议,这一过程主要植根于试图将其与民族和民族认同联系在一起的自然表征。因此,詹姆斯·贝展示了身份认同与环境斗争之间的紧密联系。对于Québécois而言,进入詹姆斯·贝(James Bay)的地区性话语展现了他们自己的文化过去。这激起了克里人的有组织的抵抗,使克里人成为现代政治单位。看一看该地区的文化地理,就可以看出在获取资源方面所建立的政治规模,这使得公平和可持续利用资源变得更加难以实现。

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