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The 'design decade' and beyond: American industrial designers and the evolution of the consumer landscape from the 1930s to the 1950s.

机译:“设计十年”及以后:美国工业设计师和1930到1950年代消费格局的演变。

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This dissertation examines the role played by several consultant industrial designers in the shaping of the American consumer landscape from the 1930s to the 1950s. American consultant industrial designers emerged in the second quarter of the twentieth century to identify and articulate the aesthetic and functional potential of industrially manufactured objects. These practitioners designed mass-produced objects for a burgeoning consumer society, such as cameras, dinnerware, refrigerators, and transportation vehicles, but they also seized the opportunity to design commercial and retail structures such as service centers, stores, showrooms, and department stores. By expanding their reach into the realm of architecture, these industrial designers used their specialized knowledge of products and salesmanship to bring the world of consumption to the built landscape. Their work challenged the established authority of architects by offering their clients an unprecedented promise of full-service design.; Throughout the 1930s, early consultant industrial designers like Norman Bel Geddes, Henry Dreyfuss, Raymond Loewy and Walter Dorwin Teague worked to articulate the scope of their new profession. The first part of this study considers how these industrial designers promoted their full-service design skills in articles and books, and provided physical proof of their abilities in their designs for commercial and retail buildings in the 1930s. Their active participation in the production of exhibits for the 1939–1940 New York World's Fair and their self-promotion at this event assisted their aim to legitimize their profession. In fact, their rapid rise to fame brought them into direct conflict with many architects, prompting discussions about the relationship between the two professions during this period. The second part of this study consists of case studies focused on the work produced by Raymond Loewy's firm for International Harvester and Lord & Taylor in order to demonstrate the ability of one consultant industrial design office to fulfill its goal of full-service design. Their work points to the frequently overlooked convergence between industrial design, architecture, and consumption during this period. This dissertation uncovers selected industrial designers' contributions to the development of the consumer landscape, and the implications of this work for architects.
机译:本文考察了1930到1950年代几位顾问工业设计师在塑造美国消费者格局中的作用。美国顾问工业设计师出现在20世纪第二个季度,以识别并阐明工业制造物体的美学和功能潜力。这些从业者为蓬勃发展的消费社会设计了批量生产的物品,例如照相机,餐具,冰箱和运输工具,但他们也抓住了设计商业和零售结构(例如服务中心,商店,陈列室和百货商店)的机会。通过将触角伸向建筑领域,这些工业设计师利用他们对产品和销售技巧的专业知识将消费世界带入了建筑景观。他们的工作向建筑师提供了前所未有的全面服务设计承诺,从而挑战了建筑师的既定权威。在整个1930年代,诸如Norman Bel Geddes,Henry Dreyfuss,Raymond Loewy和Walter Dorwin Teague的早期顾问工业设计师致力于阐明他们的新职业的范围。本研究的第一部分考虑了这些工业设计师如何在文章和书籍中提升他们的全方位服务设计技能,并提供了物理证明其在1930年代用于商业和零售建筑的设计能力。他们积极参与1939年至1940年纽约世界博览会展品的生产,并在这次活动中的自我推广,帮助他们使自己的职业合法化。实际上,他们迅速成名使他们与许多建筑师直接冲突,从而促使人们在此期间就两种职业之间的关系进行了讨论。本研究的第二部分包括案例研究,这些案例研究的重点是雷蒙德·洛维(Raymond Loewy)的公司为International Harvester和Lord&Taylor所做的工作,目的是证明一个工业设计顾问公司能够实现其全方位服务设计目标的能力。他们的工作指出了这一时期工业设计,建筑和消费之间经常被忽视的融合。本文揭示了选定的工业设计师对消费环境发展的贡献,以及这项工作对建筑师的意义。

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