Found in translation: Shakespeare's Cleopatra in English and Chinese.

机译：在翻译中找到：莎士比亚的克娄巴特拉（中英对照）。

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Found in Translation examines William Shakespeare's Antony and Cleopatra in conjunction with four Chinese translations of the play rendered by Cao Weifeng, Zhu Shenghao , Liang Shiqiu , and Fang Ping. The project explores translation as a method of gaining insight into a given literary work. Borrowing M. M. Bakhtin's notion of the interillumination of different languages, the dissertation investigates the various cultural and linguistic elements that come to light when the complex figure of Cleopatra passes through the prism of the Chinese language, and shows how such a process not only illuminates the translations, but offers a new understanding of Shakespeare's original text itself;The project looks at three aspects of the figure of Cleopatra from a cross-cultural perspective. Chapter I establishes the theoretical framework of the study by surveying the existing work on Shakespeare in a Chinese context and exploring how this body of work may be brought into fruitful dialogue with Anglo Shakespeare studies. Chapter 2 discusses issues of gender, reconsiders Cleopatra's seemingly indisputable fatal beauty, and investigates the ramifications of the translations' subtle adjustments of her femme fatale image. Chapter 3 examines how the translations register Cleopatra's color and her Egyptian identity, and considers how they inflect the complex racial issues presented in Shakespeare's text. Chapter 4 focuses on Cleopatra as an orator and rhetorician, and uses the translations to illuminate the workings of her language and to demonstrate how the queen's eloquence is a powerful tool that places her at the center of Shakespeare's play.

机译：《发现的翻译》对威廉·莎士比亚的《安东尼》和《埃及艳后》以及曹伟峰，朱生豪，梁世秋和方平所著戏剧的四种中文译本进行了考察。该项目将翻译视为一种获取对特定文学作品的见识的方法。借用巴赫金（MM Bakhtin）关于不同语言间的相互理解的概念，本文研究了当埃及艳后的复杂人物通过汉语的棱柱时，所发现的各种文化和语言因素，并展示了这样一个过程不仅照亮了翻译，但对莎士比亚的原始文本本身有了新的理解；该项目从跨文化的角度研究了克娄巴特拉形象的三个方面。第一章通过在中国背景下对莎士比亚的现有作品进行调查，并探讨如何将这一工作体系与盎格鲁莎士比亚研究进行富有成果的对话，从而建立了研究的理论框架。第2章讨论性别问题，重新考虑埃及艳后似乎无可争议的致命美，并研究翻译对她的蛇蝎美人形象的微调所产生的影响。第3章研究翻译如何记录克里奥帕特拉的颜色和她的埃及身份，并考虑它们如何影响莎士比亚著作中提出的复杂种族问题。第4章重点介绍克娄巴特拉作为演说家和修辞学家，并使用译文阐明她的语言的运作方式，并说明女王的口才是使她成为莎士比亚戏剧中心的强大工具。

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作者
Wey, Laura Jane.;
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Harvard University.;

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授予单位 Harvard University.;
学科 Literature Comparative.;Literature English.;Theater.;Literature Asian.
学位 Ph.D.
年度 2010
页码 196 p.
总页数 196
原文格式 PDF
正文语种 eng
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专利

1. Ensuring cross-cultural equivalence in translation of research consents and clinical documents: a systematic process for translating English to Chinese. [J] . Lee CC, Li D, Arai S Journal of transcultural nursing: official journal of the Transcultural Nursing Society . 2009,第1期

机译：确保研究同意书和临床文件翻译中的跨文化对等：将英语翻译为中文的系统过程。
2. Ensuring cross-cultural equivalence in translation of research consents and clinical documents: a systematic process for translating English to Chinese. [J] . Lee CC, Li D, Arai S Journal of transcultural nursing: official journal of the Transcultural Nursing Society . 2009,第1期

机译：确保研究同意书和临床文件翻译中的跨文化对等：将英语翻译为中文的系统过程。
3. Review of Shakespeare's Antony and Cleopatra (directed by Ninagawa Yukio for the Sainokuni Shakespeare Company) at the LG Arts Center, Seoul, 26 November 2011 (in Japanese with Korean supertitles) [J] . Yeeyon Im Shakespeare . 2012,第4期

机译：于2011年11月26日在首尔LG艺术中心观看莎士比亚的《安东尼与克娄巴特拉》（由Ninagawa Yukio指导Sainokuni莎士比亚剧团）（日语，韩语字幕）
4. Melody metrics for prosodic typology: comparing English, French and Chinese. [C] . Daniel Hirst Conference of the International Speech Communication Association . 2013

机译：韵律类型的旋律度量：比较英语，法语和中文。
5. Processes of translating: A comparison of expert and student translators translating an expository text from English to Chinese. [D] . Zhao, Ran. 2004

机译：翻译过程：专家和学生翻译人员的比较，将说明性文章从英语翻译为中文。
6. Medicine and Shakespeare in the English Renaissance [O] . Maurice Pope 1993

机译：英国文艺复兴时期的医学与莎士比亚
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(ed.), Arthur and the English: The Arthurian Legend in Medieval English Life and Literature , University of Wales Press, 1999, pp. 398, £35.00.ComensoliViviana and RussellAnne (eds), Enacting Gender on the English Renaissance Stage , University of Illinois Press, 1999, pp. 270, £18.95; SaundersEve Rachel, Gender and Literacy on Stage in Early Modern England , Cambridge University Press, 1999, pp. 260, £35.BerryPhilippa, Shakespeare's Feminine Endings , Routledge, 1999, pp. 197, £15.99 pb.; BellIlona, Elizabethan Women and the Poetry of Courtship , Cambridge University Press, 1998, pp. 262, £35.00.NorbrookDavid, Writing the English Republic: Poetry, Rhetoric and Politics 1627–1660 , Cambridge University Press, 1999, pp. xiii + 509, £40.FischHarold, New Stories for Old: Biblical Patterns in the Novel , Macmillan, 1998, pp. x + 236, £42.50; FischHarold, The Biblical Presence in Shakespeare, Milton and Blake , Clarendon Press, 1999, pp. xi + 330, £45.MarottiArthur F. (ed.), Catholicism and Anti-Catholicism in Early Modern English Texts , Macmillan, 1999, pp. xvii + 266, £47.50; ShellAlison, Catholicism, Controversy and the English Literary Imagination, 1558–1660 , Cambridge University Press, 1999, pp. xi + 309, £37.50.JamoussiZouheir, Primogeniture and Entail in England: A Survey of their History and Representation in Literature , Centre de Publication Universitaire, Tunis, 1999, pp. 293, 8 DT.MurphRoxane C., The English Civil War through the Restoration in Fiction: An Annotated Bibliography , Greenwood Press, Westport, CT., 2000, pp. viii + 349, £63.95.HammondPaul, Dryden and the Traces of Classical Rome , Clarendon Press, Oxford, 1999, pp. 305, £45.00.LevineJoseph M., Between the Ancients and the Moderns: Baroque Culture in Restoration England , Yale University Press, 1999, pp. xiv + 279, £27.50.TaylorAnya, Bacchus in Romantic England: Writers and Drink, 1780–1830 , Macmillan, 1999, pp. xi + 264, £47.50.MandellLaura, Misogynous Economies: The Business of Literature in Eighteenth-century Britain , University of Kentucky, 1999, pp. x + 228, $42.00.BainesPaul, The House of Forgery in Eighteenth-century Britain , Ashgate, 1999, pp. viii + 195, £47.50.MunnsJessica and RichardsPenny (eds), The Clothes that Wear Us , Newark, University of Delaware Press, 1999, pp. 362, £37.McCalmanIain (ed.), An Oxford Companion to the Romantic Age: British Culture, 1776–1832 , Oxford University Press, 1999, p. xii + 780, £85.BrydenInga and FloydJanet (eds), Domestic Space: Reading the Nineteenth-century Interior , Manchester University Press, 1999, pp. xii + 219, £40.00; KiddAlan and NichollsDavid (eds), Gender, Civic Culture and Consumerism: Middle-class Identity in Britain 1800–1940 , Manchester University Press, 1999, pp. xiv + 223, £46.00, pb. £14.99.SchadJohn Victorians in Theory: From Derrida to Browning , Manchester University Press, 1999, pp. x + 180, £40.MorseDavid, The Age of Virtue: British Culture from the Restoration to Romanticism , Macmillan, 2000, pp. viii + 330, £45.KlagesMary, Woeful Afflictions: Disability and Sentimentality in Victorian America , University of Pennsylvania Press, 1999, pp. 211, $36.50.OudittSharon, Women Writers of the First World War: An Annotated Bibliography , Routledge, 2000, pp. 230, £75; TyleeClaire with TurnerElaine and CardinalAgnes (eds), War Plays by Women: An International Anthology , Routledge, 2000, pp. 225, £16.99 pb.TaylorJohn A., Diana, Self-Interest, and British National Identity , Praeger, 2000, pp. 169, £44.95.EarnshawSteven, The Pub in Literature , Manchester University Press, 2000, pp. x + 294, £45 and £15.99 pb.KlausH. 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Found in translation: Shakespeare's Cleopatra in English and Chinese.

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