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Knowledge and the limits of postmodernism: Social constructionism in film and media studies.

机译:知识与后现代主义的局限性:电影和媒体研究中的社会建构主义。

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摘要

Social constructionism is the idea that all knowledge, including science and history, is deeply imbued with the biases and preconceptions of the person who holds the knowledge and the society in which that person lives, so that knowledge can be said to be created rather than discovered. This dissertation examines the influence of social constructionism in film and media studies with reference to the humanities more generally, and argues that social constructivist arguments have, in general, been accepted too readily. Careful attention to the substance of social constructivist arguments and to the practice of knowledge gathering in the humanities reveals the significant flaws in social constructionism as an epistemology.;This work traces the history of social constructionism from the philosophy of science and from theorists such as Jacques Derrida and Michel Foucault. It considers the ways in which the social movements of the 1960s and 1970s influenced the rise of social constructionism in the academic humanities. The particular uses of social constructionism in 1970s film theory are then described and considered.;The argument for epistemological realism herein is based on three broad principles, laid out in chapters three through five. In chapter three I consider the work of theorists whose work has been influential in the rise of social constructionism---Bruno Latour, Donna Haraway, and Richard Rorty---arguing that despite the varying benefits of the projects these theorists undertake, they either fail to fully consider the implications of their position or are unable to account for its weaknesses.;In chapter four I consider the implications of the social construction of history and argue that social constructionism is not necessarily apolitically progressive epistemology, drawing on Oliver Stone's JFK and D.W. Griffith's The Birth of a Nation to demonstrate my point. In this section I also analyze the work of Hayden White and Vivian Sobchack;In chapter five I argue that the theory of social constructionism is not reflected in the practice of knowledge gathering in the humanities and is useless for that practice. The limits of postmodern concepts of knowledge are best revealed in their inappropriateness for fundamental academic research.
机译:社会建构主义是这样一种思想,即所有知识,包括科学和历史,都深深地掌握着拥有知识的人和该人所生活的社会的偏见和偏见,因此可以说知识是创造的而不是被发现的。 。本文从社会学的角度更全面地考察了社会建构主义在电影和媒体研究中的影响,并认为社会建构主义的论点在总体上太容易被接受。认真关注社会建构论证的实质和人文知识的收集实践,揭示了社会建构论作为认识论的重大缺陷;这项工作从科学哲学和理论家(如雅克)追溯了社会建构论的历史。德里达和米歇尔·福柯。它考虑了1960年代和1970年代的社会运动如何影响社会建构主义在学术人文科学中的兴起。然后描述和考虑了社会建构主义在1970年代电影理论中的特殊用途。本文关于认识论现实主义的论点是基于三至五章中提出的三大原则。在第三章中,我考虑了理论家的工作,他们的工作对社会建构主义的兴起具有影响力,他们是布鲁诺·拉图尔(Bruno Latour),唐娜·哈拉威(Donna Haraway)和理查德·罗蒂(Richard Rorty),他们认为尽管这些理论家从事的项目具有不同的收益,未能充分考虑到他们立场的含意或无法解释其弱点。在第四章​​中,我考虑了历史的社会建构的含意,并认为社会建构主义不一定是政治上进步的认识论,借鉴了奥利弗·斯通的《肯尼迪时代》和DW格里菲斯的《国家的诞生》证明了我的观点。在本节中,我还分析了海顿·怀特和维维安·索布克的工作;在第五章中,我认为社会建构主义的理论没有反映在人文知识的实践中,对这种实践毫无用处。后现代知识概念的局限性最好通过其不适合基础学术研究的方式来揭示。

著录项

  • 作者

    McEwan, Paul Alexander.;

  • 作者单位

    Northwestern University.;

  • 授予单位 Northwestern University.;
  • 学科 Cinema.
  • 学位 Ph.D.
  • 年度 2003
  • 页码 219 p.
  • 总页数 219
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:45:44

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