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The Yuppie Narrative as Neoliberal Bildungsroman: Popular Literature and Bourgeois Subjectivity Since 1980.

机译:自从1980年以来,作为新自由主义Bildungsroman的雅皮叙事:通俗文学与资产阶级的主体性。

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摘要

This dissertation examines how the term "yuppie" represents a complicated interplay between middle-class aspirations and the desire to engage in bohemianism at a time when neoliberalism was re-shaping public discourse and introducing free-market ideologies into various areas of public life. As I argue in this study, yuppiedom involves a complex set of lifestyle markers and aspirations that are simultaneously desired and abjected. Within yuppiedom, subculture and bohemianism provide the figurative terrain of youth that young middle-class subjects must navigate as part of a larger narrative of maturation.;The role of yuppies in gentrification is also discussed with particular attention to the rapid gentrification of New York City through the nineteen-eighties. Urban bohemias provide spaces which appeal to bourgeois desires but which simultaneously must be tamed, regulated, and ultimately eliminated by the gentrifying classes. I argue that abjection becomes a critical mode by which bourgeois subjectivities are formed and that a fear of the urban "other" (whether it be the homeless, the marginalized, or the unruly spaces of urban bohemias) helps to define the boundaries of these middle-class subjectivities.;I frame the analytic and historical work of the project with examinations of six key texts: Jay McInerney's Bright Lights, Big City, Tama Janowitz's Slaves of New York, Mary Gaitskill's Bad Behavior, Bret Easton Ellis's American Psycho, Candice Bushnell's Sex and the City, and Nick Hornby's High Fidelity. The analysis of these texts traces yuppiedom from its origins in New York City in the nineteen-eighties to the globalization of its ideologies in what I term the post-yuppie texts of the nineteen-nineties.;Literary representations of yuppies frame this narrative of maturation using elements of the bildungsroman form, yet this occurs during a period when cultural notions of youth have shifted and the idea of youth is extended well into what would once have been considered adulthood. This extended adolescence is then represented in popular "yuppie" texts that confuse and conflate the maturation process with the development of an adult consumer consciousness.
机译:本文研究了“雅皮”一词如何代表中产阶级的愿望与波希米亚主义渴望之间的复杂相互作用,而新自由主义正在重塑公共话语并将自由市场意识形态引入公共生活的各个领域。正如我在这项研究中所论证的那样,异军突起涉及一组复杂的生活方式标志和愿望,这些标志和愿望同时被期望和被拒绝。在雅皮士教派中,亚文化和波西米亚主义为青年提供了具象形的地形,年轻的中产阶级主体必须将其作为更大的成熟叙事的一部分进行导航。;还讨论了雅皮士在高档化中的作用,并特别关注纽约市的快速高档化到十九世纪八十年代城市波西米亚提供了吸引资产阶级欲望的空间,但同时必须被绅士阶级驯服,调节并最终消除。我认为,抛弃成为资产阶级主观性形成的一种关键方式,而对城市“其他”(无论是城市波西米亚的无家可归者,边缘化者还是不守规矩的空间)的恐惧有助于界定这些中产阶级的界限。一流的主观性。我通过检查以下六个关键文本来构架该项目的分析和历史工作:杰伊·麦金尼(Jay McInerney)的《亮灯》,《大城市》,塔玛·亚诺维兹(Tama Janowitz)的《纽约奴隶》,玛丽·盖茨基尔(Mary Gaitskill)的《不良行为》,布雷特·伊斯顿·埃利斯(Bret Easton Ellis)的《美国心理》,坎蒂丝·布什内尔(Candice Bushnell)的《欲望都市》和尼克·霍恩比的高保真度。对这些文本的分析可以追溯到雅皮派从起源于十九世纪八十年代的纽约到其意识形态的全球化(在我所说的十九世纪九十年代后雅皮派文本中)。雅皮士的文学表征构成了这种成熟的叙事使用bildungsroman形式的元素,但是这发生在青年的文化观念发生转变并且青年的观念很好地扩展到曾经被视为成年的时期。然后,这种流行的青春期在流行的“雅皮书”文本中得以体现,这些文本使成熟过程与成人消费者意识的发展混淆并混淆。

著录项

  • 作者

    Papoutsis, James.;

  • 作者单位

    York University (Canada).;

  • 授予单位 York University (Canada).;
  • 学科 Literature American.
  • 学位 Ph.D.
  • 年度 2011
  • 页码 375 p.
  • 总页数 375
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:45:19

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