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The imperialism of liberty: Intellectuals and the politics of culture in Cold War Latin America.

机译:自由帝国主义:冷战拉丁美洲的知识分子与文化政治。

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摘要

This dissertation is an historical analysis of the Congress for Cultural Freedom in Latin America, set alongside histories of its rivals and competitors, the Soviet-sponsored World Peace Council and, after the radicalization of the Cuban Revolution, the Casa de las Americas. Each movement sought to buttress a political project with the cultural and intellectual structure that would give it substance and direction. But, this dissertation argues, the cultural Cold War in Latin America generally---and the Congress for Cultural Freedom in particular, sponsored as it was by the Central Intelligence Agency---contributed to polarization on the political left, thus helping to justify political violence in the name of both revolution and counter-revolution.;This dissertation argues that the Congress for Cultural Freedom in Latin America can be written as a history of unintended consequences, and was, in the ways that mattered most, a dramatic failure, because its actions and its nature undermined its goals. There were three principal failures: that of the 1950s prior to the Cuban Revolution in which it failed to distinguish itself from right-wing anti-Communism, that of the Cuban Revolution and the first few years thereafter, in which a Revolution it had supported became its more important regional opponent, and that of the early 1960s to end of the Congress in Latin America, when, in spite of its limited ability to control events or even its members, its existence was used as an argument for anti-imperialist violence.;This dissertation also argues that periodization of the Cold War needs to move along multiple "tracks," and that the "cultural Cold War" began in the 1930s, before the diplomatic Cold War. It argues against the puppet-on-a-string idea of "fronts" that comes from the Cold War era, showing instead that fronts that were successful were so because they grew from or responded to real injustices, and that multiple logics operated wherever collective action was taken. Finally, this dissertation argues that current explanations of the failure of democracy in Cold War Latin America are asking the wrong question, and give insufficient attention to internal and external contradictions in the construction of democracy.
机译:这篇论文是对拉丁美洲文化自由大会的历史分析,与竞争对手和竞争对手,苏联支持的世界和平委员会的历史以及对古巴革命激进后的美洲之家的历史进行了对比。每个运动都试图支持具有文化和知识结构的政治项目,使其具有实质性和方向性。但是,这篇论文认为,总体而言,拉丁美洲的文化冷战-尤其是由中央情报局(Central Intelligence Agency)赞助的文化自由大会-助长了左派政治上的两极化以革命和反革命为名的政治暴力。本文认为,拉丁美洲的文化自由大会可以写成意想不到的后果的历史,而且从最重要的意义上讲,它是一个巨大的失败,因为它的行为和性质破坏了它的目标。存在三项主要失败:古巴革命之前未能与右翼反共主义区分开的1950年代,古巴革命及其后的前几年,它所支持的一场革命变成了失败。它是最重要的地区反对者,以及1960年代初在拉丁美洲的国会闭幕时,尽管它控制事件甚至其成员的能力有限,但它的存在被用作反对帝国主义暴力的理由。 ;本文还认为,冷战的分期需要沿着多个“轨道”进行,并且“文化冷战”始于1930年代,即外交冷战之前。它与来自冷战时代的“线阵”的the戏相悖,表明成功的阵线之所以如此,是因为它们源自或回应了真正的不公正现象,并且无论集体何处发生,都有多种逻辑运作采取了行动。最后,本文认为,当前对冷战拉丁美洲民主失败的解释提出了错误的问题,对民主建设中的内在矛盾和外在矛盾没有给予足够的重视。

著录项

  • 作者

    Iber, Patrick Justus.;

  • 作者单位

    The University of Chicago.;

  • 授予单位 The University of Chicago.;
  • 学科 History Latin American.
  • 学位 Ph.D.
  • 年度 2011
  • 页码 564 p.
  • 总页数 564
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 宗教;
  • 关键词

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