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Art school consequential: Teaching and learning in the first year of art school.

机译:相应的艺术学校:艺术学校一年级的教与学。

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摘要

In order to understand better the dimensions of education in the foundation year of contemporary art school, this study explores teaching and learning through the lenses of art school freshmen and foundation studio art professors. Since scholarly study of art school education is limited, the author begins with a survey of related fields of inquiry, including college student development, studio art learning in post secondary settings, and adolescent artistic development. The author makes the argument that research and theory in these disciplines informs a study of contemporary art school teaching and learning. Designed as a multiple embedded case study informed by complexity theories of educational research, this study is comprised of the following cases: teachers, students, classes, foundation programs, and colleges. The data were collected through surveys, interviews, classroom observations, and stimulated-recall interviews. Findings suggest that both students and faculty value knowing the student and having a substantive teacher-student relationship. The teaching practices of six foundation studio teachers are described, from which several categories of pedagogy are theorized: structuring the creative process, initiating dialogue, orchestrating the physical space, and modeling. Results include students' and teachers' views of the learning that emerges in the first year of art school: skills in making and thinking; concepts about art in culture and artists as makers of meaning; dispositions such as risk-taking, understanding multiple points of view and developing a work ethic. The findings are then examined in relation to the literature from which five pedagogical ideals are proposed: know the student, assist students in making meaningful artwork, teach skills, create a safe learning environment and teach students how to live creative lives. The author contends that the findings inform art school educational dialogue, arguments about the value of art education, and theories of thoughtful teaching at the college level. More study is needed in the areas of understanding artistic development in the college years, 21st century skills, and facilitating meaning making.
机译:为了更好地理解当代艺术学校成立之初的教育规模,本研究通过艺术学校新生和基金会工作室艺术教授的视角探索教学。由于对艺术学校教育的学术研究是有限的,因此作者从调查的相关领域入手,其中包括大学生发展,大专院校的工作室艺术学习和青少年艺术发展。作者认为,这些学科的研究和理论为当代艺术学校的教学提供了信息。该研究设计为通过教育研究的复杂性理论为基础的多个嵌入式案例研究,包括以下案例:教师,学生,班级,基础课程和大学。通过调查,访谈,课堂观察和刺激回忆访谈收集数据。研究结果表明,学生和教职员工都重视了解学生并建立实质性的师生关系。描述了六位基础工作室老师的教学实践,从理论上讲授了几种教学法:结构化创作过程,发起对话,安排物理空间和建模。结果包括学生和老师对艺术学校一年级学习的看法:创造和思考的能力;有关文化中的艺术和作为意义创造者的艺术家的概念;性格,例如冒险,理解多种观点和发展职业道德。然后,与有关文学的证据相结合,对研究结果进行了审查,提出了五种教学理想:认识学生,帮助学生制作有意义的艺术品,教授技能,创造安全的学习环境以及教学生如何过上有创意的生活。作者认为,这些发现为艺术学校的教育对话,艺术教育的价值争论以及大学层面的思想教学理论提供了信息。在理解大学时代的艺术发展,21世纪的技能以及促进意义的形成方面需要进行更多的研究。

著录项

  • 作者

    McKenna, Stacey Redford.;

  • 作者单位

    Teachers College, Columbia University.;

  • 授予单位 Teachers College, Columbia University.;
  • 学科 Education Art.;Education Pedagogy.;Education Higher.
  • 学位 Ed.D.
  • 年度 2011
  • 页码 285 p.
  • 总页数 285
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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