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Nation without a state: Imagining Poland in the nineteenth century.

机译:没有国家的民族:想象19世纪的波兰。

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摘要

This dissertation tests Benedict Anderson's thesis about the coherence of imagined communities by tracing how Galicia, as the heart of a Polish culture in the nineteenth century that would never be an independent nation state, emerged as an historical, cultural touchstone with present day significance for the people of Europe. After the three Partitions and Poland's complete disappearance from political maps of Europe, substitute images of Poland were sought that could replace its lost kingdom with alternate forms of national identity grounded in culture and tradition rather than in politics. Not the hereditary dynasty, not Prussia or Russia, but Galicia emerged as the imagined and representative center of a Polish culture without a state. This dissertation juxtaposes political realities with canonical literary texts that provide images of a cultural community among ethnic Germans and Poles sharing the border of Europe. The Realpolitik of the situation was dictated by the same powers whose interests had divided and then erased the country. A Polish-Prussian alliance was argued for by Prince Antoni Radziwill (1775--1833), until Bismarck made Prussia into the core of the German Empire; a Polish-Russian axis was the focus for Aleksander Wielopolski (1803--77) who argued for Polish culture as Slavic; and a Habsburg-oriented solution, represented by Count Agenor Goluchowski (1812--1875), defined Galicia as an autonomous cultural region within the political framework of a multiethnic state. These political debates, not surprisingly, are echoed in literary works of the time: Theodor Fontane shares his Prussia with one kind of Polish culture in competition with Galicia; Marie von Ebner-Eschenbach and Jan Lam share a common view of Galicia which is Habsburg, multiethnic, and Polish. Taken together, these images reflect a dialogue about Polish identity, and in consequence about a new European identity, in the context of Austro-Hungarian and German Empires. That is, the debates point to a cultural identity in Europe that does not correspond to ethnic nation-states but rather to a shared culture, history and community experience that Galicia came to represent up until World War I, when Galicia was divided between Poland and the Ukraine.
机译:本论文通过追溯加利西亚作为19世纪波兰文化的核心(永远不会成为一个独立的民族国家)如何成为历史,文化上的现代意义上的试金石来检验本尼迪克特·安德森(Benedict Anderson)关于假想社区的一致性的理论。欧洲人民。在三个分区以及波兰从欧洲政治地图上完全消失之后,人们寻求了波兰的替代图像,这些替代图像可以用基于文化和传统而非政治的替代形式的民族身份代替其失落的王国。不是世袭王朝,不是普鲁士或俄罗斯,而是加利西亚成为没有国家的波兰文化的想象中和代表性的中心。本论文将政治现实与规范的文学文本并列,这些文学文本提供了德国人和波兰人共享欧洲边界的文化共同体的图像。局势的现实政治是由利益分裂,然后消灭该国的同一大国支配的。安东尼·拉齐威尔亲王(1775--1833)主张建立波兰-普鲁士同盟,直到Bi斯麦使普鲁士成为德意志帝国的核心。波兰-俄罗斯轴心是亚历山大·维洛波尔斯基(Aleksander Wielopolski,1803--77年)的焦点,他主张波兰文化为斯拉夫文化。以阿格诺(Agenor Goluchowski)伯爵(1812--1875)为代表的面向哈布斯堡王朝的解决方案将加利西亚定义为多民族国家政治框架内的自治文化区。毫不奇怪,这些政治辩论在当时的文学作品中得到了回应:西奥多·丰塔内(Theodor Fontane)与加利西亚(Galicia)竞争,将他的普鲁士与一种波兰文化分享;玛丽·冯·埃伯纳-埃申巴赫(Marie von Ebner-Eschenbach)和简·林(Jan Lam)对加利西亚有共同的看法,这是哈布斯堡王朝,多种族和波兰人。这些图像合在一起反映了在奥匈帝国和德意志帝国的背景下有关波兰身份的对话,并因此引发了关于新的欧洲身份的对话。就是说,辩论指向的是一种欧洲的文化特征,这种文化特征并不对应于民族国家,而是一种直到第一次世界大战之前加利西亚代表的共同的文化,历史和社区经验。乌克兰。

著录项

  • 作者

    Nance, Agnieszka Barbara.;

  • 作者单位

    The University of Texas at Austin.;

  • 授予单位 The University of Texas at Austin.;
  • 学科 Literature Germanic.;History European.
  • 学位 Ph.D.
  • 年度 2004
  • 页码 255 p.
  • 总页数 255
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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