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The Mythmaking of Kings and Capitalists: Sovereignty, Economy, and Human Rights Along the U.S.-Mexico Border.

机译:国王与资本家的神话:美墨边界沿岸的主权,经济与人权。

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摘要

In The Archive and the Repertoire, Diana Taylor discusses how performance, gestures, resistances within a community holds an embodied memory and enacts the transmission of knowledge within that community. Taylor discusses how this embodied memory is alternative to the written archive of history, history of interaction, history of meaning, history of language. Through the consideration of performance, Taylor urges her reader to reconsider oral and performative transmission of culture, knowledge, customs, traditions, and resistance. This project considers whether this reconsideration can be extended or expanded to oral and performative transmission of law within a community. Specifically, this research explores the conflict between the project of nationality and the reality of social organizing on a community/collective level. It asserts that this conflict is manifested most dramatically within border communities. The dissertation examines how the role of written law in the borderlands divides land and inhabitants and reconstructs a new understanding of the borderlands through oral histories and resistance by border communities. The overall goal of the dissertation is to challenge current scholarship to address the conceptual and sociopolitical task of a world in which legal representations and abstractions supersede the complex reality of community relations. As legal anthropologist Sally Falk Moore identified, we must consider carefully whether or not law controls the social context and what this means for our own definitions of community, what are the boundaries and borders of communities, and the seemingly limitedness of social interaction that becomes based on such legal definitions. The dissertation analyzes the defining disconnect of law from the social context that manifests itself amongst border communities along the U.S.-Mexico border. By exploring how law creates, sustains, molds, and connects the phenomenon of sovereignty, economy, and international borders, we can begin to understand how actions of border communities along the U.S.-Mexico border define the disconnect of law from the social context by redefining community itself.
机译:在《档案和剧目》中,戴安娜·泰勒(Diana Taylor)讨论了社区内的表现,手势,抵抗如何保持内在的记忆并在社区内制定知识的传播方式。泰勒(Taylor)讨论了这种内在记忆如何替代历史,交互史,意义史,语言史的书面档案。通过对表演的考虑,泰勒敦促她的读者重新考虑文化,知识,风俗,传统和抵抗的口头和表演传播。该项目考虑了这种重新考虑是否可以扩展或扩展到社区内部口头和执行法律的传播。具体而言,本研究探讨了国籍计划与社区/集体层面的社会组织现实之间的冲突。它断言,这种冲突在边境社区中最为明显。论文探讨了成文法在边疆地区的作用是如何划分土地和居民的,以及如何通过口述历史和边境社区的抵制来重建对边疆的新认识。论文的总体目标是挑战当前的奖学金,以解决这个世界上的概念和社会政治任务,在这个世界中法律代表和抽象取代了社区关系的复杂现实。正如法律人类学家萨莉·福克·摩尔(Sally Falk Moore)所指出的,我们必须仔细考虑法律是否控制了社会背景,这对于我们自己对社区的定义,社区的边界和边界以及基于社会的看似有限的社会限制意味着什么根据此类法律定义。论文分析了法律与社会背景之间断断续续的脱节现象,这种脱节现象在美墨边境沿线的边境社区中表现出来。通过探索法律如何创造,维持,塑造和联系主权,经济和国际边界现象,我们可以开始理解美墨边界沿线边境社区的行为如何通过重新定义来界定法律与社会背景的脱节。社区本身。

著录项

  • 作者

    Natividad, Nicholas.;

  • 作者单位

    Arizona State University.;

  • 授予单位 Arizona State University.;
  • 学科 Law.;Political Science General.;Political Science International Relations.
  • 学位 Ph.D.
  • 年度 2012
  • 页码 264 p.
  • 总页数 264
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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