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(Dis)placing Cartographic Narratives: The Politicization of African Spaces in Literary and Filmic Representations of Africa.

机译：（取代）制图故事：非洲文学和电影作品中非洲空间的政治化。

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Traditional Western cartography has played a substantial role in the advent of colonialism, particularly in Africa. This dissertation examines the use of space in representations of Africa through African literature, African film, and American film. Instead of looking at traditional mapping, the articulation of space in this project is based upon the combination of experiential space, or space that is mapped through the narrative, and its link to larger geopolitical spaces. The aim of this project is to explore the experiential mappings of spaces that are generated within literary and filmic depictions of Africa. This exploration yields a comparison between the types of mappings generated through African and American aesthetic works.;This project focuses on African literature and film in the colonial, postindependent, and contemporary moments. African literature and film from these periods portray space in markedly similar ways, suggesting that those periods generate a collective response to colonialism and its aftermath that is implicit in its spatial mappings. In contrast, I divide American filmic representations of African spaces into two categories. The first group of films largely comprise the Jungle Film genre and emerge in the 1930's and continue through the 1950's, the discussion of which I frame around the classic King Kong (1933). The second group of films focuses on the Jungle Film's reemergence in the 1980's continuing through the 2000's. The shift in the post-2003 Jungle Films, including the remake of King Kong (2005) reveal films laden with a greater sense of spatial anxiety tied to the aftereffects of 9/11. Hence, I argue the representations in American filmic depictions of Africa communicate American anxieties displaced onto the space of Africa. The result is an increasing awareness of the ways in which cartographic narratives function actively to affect collective perceptions of spaces and their geopolitics.

机译：西方传统制图学在殖民主义的到来中发挥了重要作用，特别是在非洲。本文通过非洲文学，非洲电影和美国电影来考察空间在非洲表现形式中的运用。在此项目中，空间的表达不是基于传统的映射，而是基于经验性空间或通过叙述映射的空间及其与较大的地缘政治空间的链接的组合。该项目的目的是探索非洲文学和电影描写中产生的空间的体验性映射。这项探索对通过非洲和美国美学作品生成的地图类型进行了比较。；该项目着眼于殖民时期，独立后和当代时刻的非洲文学和电影。这些时期的非洲文学和电影以明显相似的方式描绘了空间，这表明这些时期对殖民主义及其后果产生了集体反应，这在其空间映射中是隐含的。相反，我将美国对非洲空间的电影表现形式分为两类。第一组电影主要包括丛林电影类型，并在1930年代出现，并一直持续到1950年代，我围绕经典金刚（1933）进行了讨论。第二组电影的重点是丛林电影在1980年代到2000年代的复兴。 2003年后丛林电影的转变，包括金刚（2005）的翻拍，揭示了充满9/11后效应的空间焦虑感更强的电影。因此，我认为在美国对非洲的电影描写中的表现将美国的焦虑传达给了流向非洲的焦虑。结果是人们越来越意识到制图叙事如何积极地影响人们对空间及其地缘政治的集体观念。

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作者
Potts, Daphne Ann.;
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University of California, Davis.;

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授予单位 University of California, Davis.;
学科 Literature Comparative.;Cinema.;Literature African.
学位 Ph.D.
年度 2012
页码 342 p.
总页数 342
原文格式 PDF
正文语种 eng
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机译：点评：历史的研究：一个书目指南，历史的英语理念从柯勒律治到科林伍德，英国当地历史，亚瑟和他的英语变脸：亚瑟王传说中中世纪英国生活和文学，在英国文艺复兴时期颁布性别舞台上，莎士比亚的女性结局，写英文共和国：诗歌，修辞学和政治学1627年至1660年，对旧的新故事：在小说中，天主教和反天主教在早期现代英语文本，长子继承权和继承权在英国圣经模式：综述文学中的历史和代表，通过对小说恢复的英语内战：一个注释的参考书目，戴安娜，自我利益和英国国家身份，古人与现代人之间的古典罗马的痕迹和古典罗马：巴洛克文化在恢复英格兰，浪漫英格兰的Bacchus：1780-1830，厌恶经济学的作家和饮料：十八世纪的文学业务ritain，伪造的房子在十八世纪的英国，穿着我们的衣服，牛津伴侣的浪漫时代：英国文化，1776 - 1832，国内空间：阅读十九世纪的内部，维多利亚人理论上：从德里达到布朗，美德的年龄：英国文化从恢复到浪漫主义，悲惨的痛苦：维多利亚州的残疾和感情，妇女作家第一次世界大战：一个注释的书目，文学中的酒吧，英国工业小说，人类的缘故想要：市场苏格里希第德森市场的经济和美学。 C.，历史的研究：一个书目指南，第二版，曼彻斯特大学出版社，2000，第十四+ 140，£40.00.ParkerChristopher，历史的英语从理念到柯勒律治科林伍德，Ashgate出版社，2000，页。 VII + 244，£45.Richardsonr。 C.（ed。），英语当地历史的变化面孔，ashgate，2000，pp。viii + 218，£45.00.00.00.Parronw。 RJ（编辑），亚瑟和他的英文：亚瑟王传说中中世纪英国生活和文学，威尔士出版社，1999年大学，第398，£35.00.ComensoliViviana和RussellAnne（EDS），英国文艺复兴舞台上颁布性别，伊利诺伊大学出版社，1999，第270页，18.95英镑; SaunderseVe Rachel，在早期现代英格兰舞台上的雷切尔，性别和识字，剑桥大学出版社，1999，PP。260，£35.BerringPhilippa，莎士比亚的女性化的遗址，Routledge，1999，PP。197，£15.99 PB。 Bellilona，伊丽莎白裔女性和甲师诗歌，剑桥大学出版社，1998，PP。262，£35.00.norbrookdavid，写英国共和国：诗歌，修辞和政治1627-1660，剑桥大学出版社，1999，PP。XIII + 509 ，£40.FischHarold，对于旧的新故事：在小说，Macmillan出版社，1998年，第圣经模式X + 236，£42.50; Fischharold，Shakespeare，Milton和Blake的圣经存在，1999年，PP。Xi + 330，£45.marottiarthur F.（Ed。），天主教和早期现代英语文本，Macmillan，1999，PP的天主教和反天主教。XVII + 266，£47.50; Shellalison，天主教，争议和英国文学想象，1558-1660，剑桥大学出版社，1999，PP。XI + 309，£37.50.Jamoussizouheir，Punigoghts和Envland在英国：他们在文学中的历史和代表调查，中心出版大学，突尼斯，1999，PP。293,8 DT.Murphorn Xane C.，英语内战通过虚构的恢复：一个注释书目，格林伍德出版社，韦斯特波特，CT，CT。，2000，PP。VIII + 349，£63.95 .HammondPaul，德莱顿和古典罗马，克拉伦登出版社，牛津，1999年的痕迹，第305，£45.00.LevineJoseph M.，古人和现代人之间：巴洛克文化恢复英格兰，耶鲁大学出版社，1999，页。 XIV + 279，£27.50.50.50.5.50.Tayloranya，浪漫英格兰的Bacchus：作家和饮料，1780-1830，Macmillan，1999，PP。Xi + 264，£47.50.Mandelllaura，罕有内容：十八世纪英国的文学业务，肯塔基州大学，1999，PP。X + 228，$ 42.00.Bainespaul，在十八世纪的英国伪造之家，阿什捷，1999年，PP。第八次+ 195，£47.50.50.50.50.Munnsjessica和Richardspenny（EDS），穿着我们，纽瓦克，特拉华大学出版社，1999，PP。362，£ 37.McCalmanIain（编辑），牛津伴侣对浪漫的年龄：英国文化，1776年至1832年，牛津大学出版社，1999，页。 XII + 780，£85.Brydeninga和Floydjanet（EDS），国内空间：阅读十九世纪内部，曼彻斯特大学出版社，1999，PP。XII + 219，£40.00; KiddAlan和NichollsDavid（EDS），性别，公民文化和消费：在英国，1800年至1940年中产阶层的身份，曼彻斯特大学出版社，1999年，第十四+ 223，£46.00，PB。 14.99英镑的理论上，从Derrida到Browning，曼彻斯特大学出版社，1999年，PP。X + 180，£40.Moreedavid，富于浪漫主义，2000，2000，PP。八+ 330，£45.Klesmary，悲惨的痛苦：宾夕法尼亚大学的维多利亚州美国的残疾和感情，1999年，第211次，第一次第一次世界大战的妇女作家：一名注册参考书目，rutledge，2000，pp。230，75英镑; TyleeClaire与Turnerelaine和Cardinalagnes（EDS），战争扮演妇女：国际选集，Routledge，2000，PP。225，£16.99 PB.Taylorjohn A.，戴安娜，自身利益和英国国家身份，Praeger，2000，PP 。169，£44.95.EARNShawsteven，文学中的酒吧，曼彻斯特大学出版社，2000，PP。X + 294，£45和15.99英镑PB.Klaush。古斯塔夫和骑士。（EDS），英国工业小说，威尔士大学出版社，2000，PP。VIII + 212，£14.99 PB。 Balchjack S.，伊利诺伊大学高中中午的灯，2000年，PP。XL + 404，$ 19.45 PB。康罗伊士队，伊利诺伊大学的世界胜利，2000年，PP。XXXV + 348，17.95磅PB.Gagnierregenia，人类想要的缘故：市场学会的经济学和美学，芝加哥大学出版社，2000，PP。352，£ 10.50 PB。

(Dis)placing Cartographic Narratives: The Politicization of African Spaces in Literary and Filmic Representations of Africa.

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