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The politics of fashion in American consumer culture.

机译:美国消费文化中的时尚政治。

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This dissertation examines how fashion becomes politicized---not just as a communicative medium, but also as an arena for political struggles taking place in global structural processes, sites of popular culture, and the going-ons of everyday life. The analysis of popular and interpersonal discourses explores how the hipster became a powerful trope through which much of these challenges against corporate culture were lodged. I argue we may understand the press' calls for the death of the hipster as a reflection of the intense disdain felt for an identity built on an uneasy relationship between class, consumerism, and cultural production. The most publicized political battles of recent years are often centered in specific apparel brands, media events and controversies that reflect an ongoing struggle between independent producers and corporations representing rebellious lifestyle brands. I explore how consumers interpret these events and consider the political, economic, social and cultural implications of their own identities as both consumers and producers. Popular ideas about dress, and in particular the hipster, diffuse into local discourses, influencing individual beliefs and behaviors and coloring interpersonal interactions. These discourses illustrate how subcultures use dress as a means to evaluate others' levels of creativity and genuine commitment to the subculture. Dress also comes to symbolize the massive structural transformations taking place in neighborhoods and cities, in particular processes of gentrification and commercialization. The local politics of Philadelphia's Northern Liberties places global apparel retailer Urban Outfitters in conversation with local cultural, commercial and political developments. Additionally, media coverage of the fashion industry affects apathy and non-involvement in the politics of fashion, as many consumers see themselves as relatively powerless in a massive system and often challenge or abstain from it in small but personally meaningful ways. The role of media and media ownership are crucial in the struggles taking place against and through the fashion industry. Ultimately at stake in much of fashion's politics are issues of cultural production and innovation, for both consumers as well as the brands themselves.
机译:本文研究了时尚如何被政治化-不仅作为一种交流媒介,而且还作为全球结构过程,流行文化场所和日常生活中发生的政治斗争的舞台。对流行和人际关系话语的分析探索了赶时髦的人如何成为一个强大的论据,通过它提出了许多针对公司文化的挑战。我认为我们可能理解新闻界呼吁赶时髦的人死亡的呼声,这反映出人们对一种基于阶级,消费主义和文化生产之间的不稳定关系而建立的身份感到强烈的不满。近年来,最受关注的政治斗争通常集中在特定的服装品牌,媒体事件和争议上,这些事件反映出独立生产商和代表叛逆的生活方式品牌的公司之间正在进行的斗争。我将探讨消费者如何解释这些事件,并考虑他们作为消费者和生产者的身份对政治,经济,社会和文化的影响。关于着装尤其是行家的流行观念传播到本地话语中,影响个人的信仰和行为,并给人际交往增色。这些话语说明了亚文化如何利用着装来评估他人对亚文化的创造水平和真正承诺。着装还象征着在邻里和城市中发生的大规模结构转变,特别是高级化和商业化过程。费城北部自由区的地方政治使全球服装零售商Urban Outfitters与当地文化,商业和政治发展对话。此外,媒体对时尚业的报道会影响冷漠和不参与时尚政治,因为许多消费者认为自己在一个庞大的系统中相对无能为力,并且常常以小的但个人有意义的方式来挑战或弃权。媒体和媒体所有权的作用在与时装业抗衡并通过时装业进行的斗争中至关重要。最终,在时尚的许多政治中,涉及到文化以及消费者和品牌本身的文化生产和创新问题。

著录项

  • 作者

    Khaled, Heidi.;

  • 作者单位

    University of Pennsylvania.;

  • 授予单位 University of Pennsylvania.;
  • 学科 American Studies.;Speech Communication.;Anthropology Cultural.
  • 学位 Ph.D.
  • 年度 2012
  • 页码 240 p.
  • 总页数 240
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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