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Medievalism's inheritance: Early inventions of medieval pasts.

机译:中世纪的传承:中世纪过去的早期发明。

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摘要

This dissertation examines how and why medievalism---the use of elements from the European Middle Ages in social commentary---began in the Middle Ages itself. Medievalism is usually considered to have germinated in the Renaissance and flowered in the nineteenth century, but English writers could articulate a clear, irrevocable separation from shortly after the Norman Conquest onwards. This project combines historiographic literary analysis and manuscript research with theories of heritage construction, the invention of traditions, and language ideologies. Each chapter focuses on an author experiencing political crisis: William of Malmesbury (c.1095--c.1143), John Gower (c.1330--1408), Sir Thomas Malory (c.1405--1471), and John Aubrey (1626--1697). These writers constructed medieval heritages out of available historical fragments, narratives, and their own dreams in order to resolve contemporary issues. Studying nascent medievalism in four periods (the Anglo-Norman civil war, the troubled reign and usurpation of Richard II, the Wars of the Roses, and the seventeenth-century Civil Wars) emphasizes the complexity of medieval pasts repeatedly invented to focus on the anxieties of each period. The comparison of issues negotiated through medievalism at different moments of cultural rupture reveals the gradual crystallization of assumptions leading into modern medievalism. The basic process of "medieval" medievalism is the same as the process that has been established in post-medieval periods: to make the past instrumental in cultural debates, these writers compared the terms of the chosen medieval period to the immediate concerns of the present. However, early medievalism is more weighted to a search for continuity and metaphorical constructions of cultural heritage in order to naturalize certain kinds of violence and mitigate losses of the past. William of Malmesbury and John Gower make lessons from the past obvious in attempts to secure a more peaceful future. Both Malory and Caxton were concerned with asserting a stable transmission of heritage that could transcend cycles of violence and limits of the book marketplace. Aubrey's use of medievalism in early modern scientific historical projects set a pattern for the continued intimacy of heritage and folklore studies, and of medievalism and medieval studies.
机译:本文研究了中世纪本身如何开始以及为什么开始中世纪主义-在欧洲社会评论中使用欧洲中世纪的元素。中世纪通常被认为是在文艺复兴时期萌发的,并在19世纪盛行,但英国作家可以清楚地表述诺曼征服后不久的清晰,不可撤销的分离。该项目将史学文学分析和手稿研究与遗产建设理论,传统发明和语言意识形态相结合。每章重点介绍经历政治危机的作家:威廉·马姆斯伯里(c.1095--c.1143),约翰·高尔(c.1330--1408),托马斯·马洛里爵士(c.1405--1471)和约翰·奥布里(John Aubrey) (1626--1697)。这些作家根据可用的历史片段,叙述和自己的梦想建造了中世纪遗产,以解决当代问题。在四个时期(盎格鲁-诺曼内战,理查德二世的统治和篡位,玫瑰之战和十七世纪内战)研究新生的中世纪主义时,强调了反复发明以关注焦虑的中世纪过去的复杂性每个时期。在文化破裂的不同时刻通过中世纪主义谈判的问题的比较揭示了导致进入现代中世纪主义的假设的逐步结晶。 “中世纪”中世纪主义的基本过程与后中世纪时期建立的过程相同:为了使过去成为文化辩论的工具,这些作家将所选中世纪时期的术语与当前的直接关注点进行了比较。 。然而,早期的中世纪主义更倾向于寻找文化遗产的连续性和隐喻性的结构,以使某些类型的暴力自然化并减轻过去的损失。马尔姆斯伯里的威廉(William of Malmesbury)和约翰·高尔(John Gower)试图从过去吸取教训,以确保更和平的未来。马洛里(Malory)和卡克斯顿(Caxton)都在关注稳定的遗产传播,这种传播可以超越暴力循环和图书市场的局限。奥布里(Aubrey)在早期的现代科学历史项目中使用中世纪主义,为遗产和民间文学艺术研究以及中世纪主义和中世纪研究的持续亲密关系提供了一种模式。

著录项

  • 作者

    Peebles, Katie Lyn.;

  • 作者单位

    Indiana University.;

  • 授予单位 Indiana University.;
  • 学科 Literature Medieval.;Literature English.;Folklore.;Literature Modern.
  • 学位 Ph.D.
  • 年度 2010
  • 页码 321 p.
  • 总页数 321
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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