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The Junzi doth protest: Toward a philosophy of remonstrance in Confucianism (Lu Xun).

机译:君子道德抗议:走向儒家的示威哲学(鲁迅)。

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摘要

This dissertation focuses on the Confucian value of remonstrance ( jian) and explores the degree to which remonstrance as a form of protest is a key value within the Confucian tradition. My claim is that the literature has undervalued the role of jian; that, in fact, jian serves as a critical counterpoint to sentiments of reciprocity, deference, and benevolence within the tradition. Furthermore, I argue that jian becomes an especially significant strategy for harmonizing values and practices in times when forces for change and continuity are in complex collision.; My point of departure will be with the works of Lu Xun, a fiction writer and cultural critic during the early years of the 20th century, and I will explore the degree to which he instantiates the value of jian and the role that it plays in his theory of "grabbism" (nalai zhuyi). While Lu Xun is conventionally perceived and portrayed as being anti-Confucian, I will present a reading that counters this depiction and contend that such a reading of Lu Xun will serve to clarify the creative dimension of remonstrance.; The two propositions that frame this dissertation are: (1) Remonstrance as a form of protest is integral to Confucianism and, (2) Lu Xun's protest remains within the Confucian tradition While the first will be my primary focus, I intend to establish these as interrelated propositions, the latter providing the context in which to more fully grasp the former. My methodology will rely not on analytic process; rather I will develop a narrative understanding of jian through an exploration of how this term is used within a particular historical instance, in this case by focusing on the nature of Lu Xun's critique of Confucianism during the period of New Culture Movement. Such an extensive method is consistent with the Confucian tradition's own way of understanding its key terms and Lu Xun, through modeling the technique of jian, can be seen as the functional equivalent of the principle of protest at work. Commentary on this relationship will take place within a Deweyan framework.
机译:本文着眼于儒家的示威价值观(jian),并探讨了在某种程度上,示威作为一种抗议形式是儒家传统中的关键价值。我的主张是,文学低估了简的作用。实际上,jian是抵制传统中的互惠,尊敬和仁慈情绪的重要对策。此外,我认为,当变革和连续性的力量复杂碰撞时,jian成为协调价值观和实践的一项特别重要的策略。我的出发点将是20世纪初期的小说作家和文化评论家鲁迅的作品,我将探讨他在何种程度上体现简的价值及其在建jian中的作用。 “劫掠主义”理论(娜莱·朱伊)。虽然鲁迅通常被认为是反儒家,但我将提出一种与这种描述相反的读物,并认为这种鲁迅的读物将有助于阐明示威的创造性。构成本文的两个命题是:(1)作为抗议的一种形式,示威是儒家不可或缺的;(2)鲁迅的抗议仍然在儒家传统之内。虽然第一个是我的主要重点,但我打算将其确立为相互关联的命题,后者为更全面地把握前者提供了背景。我的方法论将不依赖于分析过程。相反,我将通过探讨在特定的历史实例中如何使用“剑”来发展对“ jian”的叙事理解,在这种情况下,我们将关注“新文化运动”时期鲁迅对儒家批评的性质。这种广泛的方法与儒家传统的理解其关键术语的方式是一致的,而鲁迅通过对简技术的建模,可以看作是在工作中抗议原则的功能等效。有关这种关系的评论将在Deweyan框架内进行。

著录项

  • 作者

    Suddath, Virginia D.;

  • 作者单位

    University of Hawai'i at Manoa.;

  • 授予单位 University of Hawai'i at Manoa.;
  • 学科 Philosophy.; Literature Asian.
  • 学位 Ph.D.
  • 年度 2005
  • 页码 244 p.
  • 总页数 244
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 哲学理论;
  • 关键词

  • 入库时间 2022-08-17 11:42:29

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